Artists

Mark Lombardi

Mark Lombardi plays an exceptional role in the history of art. His achievements have been the aesthetic representation of complex political and economic power relations, which he embodies in his “narrative structures” – impressive and precisely drawn sociograms. Lombardi revealed connections that otherwise would not have come to light. For a long time Lombardi himself was a marginal figure in the art scene. However, his sudden death and the conspiracy theories which entailed quickly turned him into an icon and he is still represented in solo and group exhibitions and collections throughout Europe and the United States.

Lombardi’s work has been shown at Manifesta, Zürich (2016), Triennial of International Art, Vilnius and Documenta, Kassel (2012). In addition, several solo exhibitions have been dedicated to his work, such as in the Museum für Zeitgenössische Kunst, Leipzig (2009), Whitworth Art Gallery, Manchester (2007), Cleveland Museum of Contemporary Art, Cleveland (2003), Museum of Contemporary Art, Washington (1998). Noteworthy institutional group exhibitions include Louvre, Paris (2015), The Museum of Modern Art, New York (2011), Städtische Galerie, Dresden (2010), The Whitney Museum of American Art, New York (2005), Palais de Tokyo, Paris (2003), P.S.1/Contemporary Art Center, New York (2000). Lombardi’s work is also included in many museums and collections, such as he Museum of Modern Art, New York, The Whitney Museum of American Art, New York, The New Museum, New York, The Jewish Museum, New York, The Smithsonian American Art Museum, Washington and the Reina Sofia Museum, Madrid.


BORN

1951 in Syracuse, USA

DIED
2000 in New York, USA

EDUCATION
1974 BA in Art History, Syracuse University, Syracuse, USA

selected SOLO EXHIBITIONS and SCREENINGS

2011
Index, Pierogi, Brooklyn, NY, USA

2008/09
Museum of Contemporary Art Leipzig, Galerie für Zeitgenössische Kunst, Leipzig, Germany (Two-person show with Julius Popp)

2007
De La Warr Pavillion, Bexhill on Sea, UK
Whitworth Art Gallery, Manchester, UK

2006
A Secret Service: Art, Compulsion, Concealment, Hayward Gallery Touring Exhibition: Hatton Gallery, Newcastle University, UK

2005
Narrative Structures, Galerie Thomas Schulte, Berlin, Germany
International, New York. Curated by Robert Hobbs. (Kat.)
Opening at Herbert F. Johnson Museum of Art, Cornell University, Ithaca, USA, January 2003
Other locations include:Cleveland Museum of Contemporary Art, Cleveland, USA
Jean Paul Slusser Gallery, University of Michigan, Ann Arbor, USA
The Drawing Center, New York, USA
Faulconer Gallery, Grinnel College, Grinnell, USA

2004
AGO – Art Gallery of Ontario, Musée des Beaux-Arts de l´Ontario, Canada

2003
Preparatory Drawings, Pierogi, Brooklyn, US
Global Networks, a traveling exhibition organized by Independent Curators

2000
Silent Partners, Sorenson Center for the Arts, Babson Park, USA
In Memory, Gallery Joe, Philadelphia, USA Birmimgham Arts Festival, England

1999
Vicious Circles: Drawings, Deven Golden Fine Art, New York, USA

1998
Silent Partners, Pierogi 2000, Brooklyn, NY, USA
Crossing the Line: 1994–8, Museum of Contemporary Art, Washington D.C., USA

1996
Over The Line: Drawings 1994-6, Lawndale Art and Performance Center, Houston, USA

GROUP EXHIBITIONS

2017
Who Pays?, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein

2016/17
You Don’t Need a Weatherman, Galerie Thomas Schulte, Berlin, Germany

2014
Clear, Gagosian Gallery, Beverly Hills, California, USA

2012/13
Art=Text=Art: Works by Contemporary Artists From the Collection of Sally and Wynn Kramarsky, Jane Voorhees Zimmerli Art Museum, New York, USA

2012        
Chaos! Komplexität in Kunst und Wissenschaft
, ERES-Stiftung, München, Germany
dOCUMENTA (13), Kassel, Germany

2011/12
The Oil Show, Hartware MedienKunstVerein, Dortmund, Germany

2011
Faster and Slower Lines – From the Collection of Pétur Arason and Ragna Róbertsdóttir
, Reykjavík Art Museum, Reykjavík, Island
barely there Part II, Museum of Contemporay Art Detroit, USA
Erre, variations labyrinthiques, Centre Pompidou-Metz, Metz, France
September 11, MoMA PS1, New York, USA
8th Bienal do Mercosul, Bienal do Mercosul, Porto Alegre, Brasil
Sharjah Biennial 10 – Plot for a Biennial, Sharjah Biennial, Sharjah, United Arab Emirates
politics. ich-ichs-wir, Columbus Art Foundation, Ravensburg, Germany

2010
Uneven Geographies. Art and Globalisation, Nottingham Contemporary, Nottingham, UK

2009-10
Compass In Hand:Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, USA

2009
Shadow/Existence, SCHEIBLERMITTE, Berlin, Germany
Essential Works, Galerie Gabrielle Maubrie, Paris, France
Reduced Visibility, MFAH – Museum of Fine Arts Houston, Houston, USA
NARCOTICA, Galerie Im Regierungsviertel – THE FORGOTTEN BAR, Berlin, Germany
Monument to Transformation 1989-2009, City Gallery Prague / Galerie Hlavního Města Prahy, Prague, Czech Republique
Rich Text, Fleisher/Ollman Gallery, Philadelphia, USA
All Over the Map, John Michael Kohler Arts Center, Sheboygan, USA

2008
Carte Blanche IV: Dogenhaus Galerie Leipzig, Galerie für Zeitgenössische Kunst – GfZK, Leipzig, Germany
More than Words, Von Lintel Gallery, New York, USA
Error #9: Shadow Cabinet (three rendezvous), Extra City – Center for Contemporary Art, Antwerpen, Belgium
Martian Museum of Terrestrial Art, Barbican, London, England
Carte Blanche: Freundliche Feinde, Galerie für Zeitgenössische Kunst – GfZK, Leipzig, Germany

2007
New York – States of Mind, Queens Museum of Art, New York, USA
New York – States of Mind, Haus der Kulturen der Welt, Berlin, Germany
Intocable (el ideal de la transparencia), Patio Herreriano – Museo de Arte Contemporáneo Español, Valladolid, Spain
Raum – Orte der Kunst, AdK – Akademie der Künste, Berlin, Germany
A Secret Service – Art, Compulsion, Concealment, De La Warr Pavilion, Bexhill on Sea, England
Cosmologies, James Cohan Gallery, New York, USA
Mixed Signals, Ronald Feldman Fine Arts Inc., New York, USA

2006
Kapital, Kent Gallery, New York, USA
Moving on – Motion, Galerie Thomas Schulte, Berlin, Germany
Globalización: indicaciones/ efectos secundarios/ advertencias, Espacio 1414, Santurce, Puerto Rico, Puerto Rico, USA
Skirting the Line, Richard E. Peeler Art Center, Greencastle, USA

2005
Looking at Words, Andrea Rosen Gallery, New York, USA
Estudio: Tres o cuatro historias, Galeria Helga de Alvear, Madrid, Spain
Biennale de Quebec, Manif d’Art 3, Manifestation Internationale d’art quebec, Québec, Canada
Interessi Zero, Galleria Civica di Arte Contemporanea, Trento, Italy
Dating Data, Josee Bienvenu Gallery, New York, USA
Linear Photography, Bernard Toale Gallery, Boston, USA
Vivisección, Dibujo contemporáneo, Museo de Arte Carrillo Gil, Mexico City, Mexico
Traveling, The Art of Aggression: Iraqui Stories and Other Tales, The Reynolds Gallery, Richmond, USA
The Art of Aggression, The Moore Space, Miami, USA

2004
Election, American Fine Arts, New York, USA
Shifting Alliances, The Whitney Museum of American Art Independent Study Program (ISP), New York, USA
The Ten Commandments, German Hygiene Museum, Dresden, Germany
Open House O.K.-Centrum, Linz, Austria
South First, Brooklyn, USA

2003
World Watchers NGBK, Berlin, Germany
Doing Business: Dysfunctional Corporate Culture, Atrium Gallery at the University of Connecticut Storrs and University of Connecticut, Stamford, USA
Global Priority, The Herter Art Gallery at the University of Massachusetts, Amherst, USA
Somewhere better than this place, CAC (The Contemporary Arts Center), Cincinnati, USA
GNS Global Navigation System, Palais de Tokyo, Paris, France
For the Record: Drawing Contemporary Life, The Vancouver Art Gallery, Vancourver, Canada
Haupt-und Nebenwege, Galerie Christian Nagel, Köln, Germany
Lost Worlds Apocalyptic & Utopian Visions, Axel Raben Gallery, New York, USA
High and Inside, Marlborough Gallery, New York, USA
privat I öffentlich, Häusler Contemporary, München, Germany
American Dream, Ronald Feldman Gallery, New York, USA
Living Inside the Grid, The New Museum of Contemporary Art, New York, USA
The Incredible Lightness of Being, Black & White Gallery, Brooklyn, USA

2002
Center of Attraction, The 8th Baltlic Triennial of International Art, Contemporary Art Centre, Vilnius, Lithuania
Overt Operation, Joseph Helman Gallery, New York, USA
Strategy, La Plage, Neuchatel, Switzerland
Libres Echanges / Material World, Centre d’Art Contemporain Genève, Geneva, Switzerland
Terra Incognita: Contemporary Artist’s Maps and Other Visual Organizing Systems, Contemporary Art Museum, St. Louis, USA
Empire / State: Artists Engaging Globalization, Graduate Center of the City University of New York, USA,

2001
Brooklyn!, Palm Beach Institute of Contemporary Art, Palm Beach, USA
The Communications Department, Anthony Wilkinson Gallery, London, UK
Let’s Get to Work, Susquehanna Art Museum, Harrisburg, USA
Art at the Edge of the Law, The Aldrich Museum of Contemporary Art, Ridgefield, USA
Nancy drew, SPACES, Cleveland, USA
All Systems Go, Contemporary Arts Museum, Houston, USA
Fresh: The Altoids Curiously Strong Collection 1998-2000, The New Museum of Contemporary Art (Permanent Collection), New York, USA
Tribes Gallery, New York, USA
University Art Museum, University at Albany, Albany, USA
Blurry Lines, John Michael Kohler Arts Center, Sheboygan, USA

2000
Errant Gestures: Visual and Verbal Correspondences, Apex Art, New York, USA
Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado, Boulder, USA
Multiple Sensations: series, collections, obsessions, Yerba Buena Center for the Arts, San Francisco, USA
A Selective Survey of Political Art, John Weber Gallery, New York, USA
Greater New York, P.S.1/Contemporary Art Center, Long Island City, USA
World Trade, Roebling Hall, Brooklyn, USA
Circles, Bonafide Gallery, Chicago, USA
Newsroom, Roger Smith Gallery, New York, USA

1999
Touring the Frame, Rosamund Felsen Gallery, Santa Monica, USA
Pierogi 2000: Flatfiles, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, USA
Monumental Drawings, Exit Art, New York, USA
Brooklyn: New Work, Contemporary Arts Center, Cincinnati, USA
Altoid’s Collection, Clementine Gallery, New York, USA
Centre Gallery, Miami-Dade College, Miami, USA
Inside Art, Chicago, USA
Robert Berman Gallery, Santa Monica, USA
Walter/McBean Gallery, San Francisco Art Institute, San Francisco, USA
The Other Side of New York, Galleria Maze, Turin, Italy
Seeing Money, Portland Art and Cultural Foundation, Portland, USA
Drawing Rules, Gallery Joe, Philadelphia, USA
Rage For Art, Pierogi 2000, Brooklyn, USA

1998
Seeing Money, Rotunda Gallery, Brooklyn, USA
Why Can’t We All Just Get Along?, Deven Golden Fine Art, New York, USA
Laissez-Faire, Printed Matter, New York, USA
Versus IV, Ex-Lanificio Bono di Carignano, Turin, Italy
Apocalypse Now, Here Art, New York, USA

1997
Heaven, P.S.1/Contemporary Art Center, Long Island City, USA
Selections: Winter 1997, The Drawing Center, New York, USA

1996
Art Mall, Printed Matter, New York, USA
Inner Sanctum, Robert McClain and Company, Houston, USA
The Big Show, Lawndale Art and Performance Center, Houston, USA
Critic’s Choice, Dallas Visual Art Center, Dallas, USA
Honorable Mention, Blaffer Gallery, University of Houston, Houston, USA

1995
The Big Show, Lawndale Art and Performance Center, Houston, USA

  • Untitled (port), ca. 1999
    graphite on paper

  • Peregrine #1, ca. 1999
    graphite on paper

  • Keating - ACC - Goldsmith, ca. 1999
    graphite on paper

  • R.J. Reynolds' Canadian Smuggling operation WS (NC) - Toronto, Cornwall (NY) 1991-97, ca. 1999
    graphite on paper

  • Earl W. Brian, Complex, ca. 2000
    graphite on paper

  • First National Bank Maryland and Associate Traders, c. 1982-86, ca. 1998
    graphite on paper

CAPTION

Untitled (port), ca. 1999
graphite on paper
27.94 x 35.56 cm | 11 x 14 in
Framed: 46.5 x 53.6 x 3.5 cm | 18 1/3 x 21 x 1 1/3 in
MLOM/GTS 20

Peregrine #1, ca. 1999
graphite on paper
22.9 x 30.5 cm | 9 x 12 in
Framed: 41.3 x 48.5 x 3.5 cm | 16 1/4 x 19 x 1 1/3 in
MLOM/GTS 15

Keating - ACC - Goldsmith, ca. 1999
graphite on paper
27.9 x 35.6 cm | 11 x 14 in
Framed: 46.5 x 53.6 x 3.5 cm | 18 1/3 x 21 x 1 1/3 in
MLOM/GTS 13

R.J. Reynolds' Canadian Smuggling operation WS (NC) - Toronto, Cornwall (NY) 1991-97, ca. 1999
graphite on paper
22.9 x 30.5 cm | 9 x 12 in
Framed: 41.3 x 48.5 x 3.5 cm | 16 1/4 x 19 x 1 1/3 in
MLOM/GTS 12

Earl W. Brian, Complex, ca. 2000
graphite on paper
22.86 x 30.48 cm | 9 x 12 in
Framed: 41.3 x 48.5 x 3.5 cm | 16 1/4 x 19 x 1 1/3 in
MLOM/GTS 11

First National Bank Maryland and Associate Traders, c. 1982-86, ca. 1998
graphite on paper
48.26 x 60.96 cm | 19 x 24 in
Framed: 67 x 79 x 3.5 cm | 26 1/3 x 31 x 1 1/3 in
MLOM/GTS 22

Biography and Concept

Mark Lombardi plays an exceptional role in the history of art. His achievements have been the aesthetic representation of complex political and economic power relations, which he embodies in his “narrative structures” – impressive and precisely drawn sociograms. Lombardi revealed connections that otherwise would not have come to light. For a long time Lombardi himself was a marginal figure in the art scene. However, his sudden death and the conspiracy theories which entailed quickly turned him into an icon and he is still represented in solo and group exhibitions and collections throughout Europe and the United States.

Lombardi’s work has been shown at Manifesta, Zürich (2016), Triennial of International Art, Vilnius and Documenta, Kassel (2012). In addition, several solo exhibitions have been dedicated to his work, such as in the Museum für Zeitgenössische Kunst, Leipzig (2009), Whitworth Art Gallery, Manchester (2007), Cleveland Museum of Contemporary Art, Cleveland (2003), Museum of Contemporary Art, Washington (1998). Noteworthy institutional group exhibitions include Louvre, Paris (2015), The Museum of Modern Art, New York (2011), Städtische Galerie, Dresden (2010), The Whitney Museum of American Art, New York (2005), Palais de Tokyo, Paris (2003), P.S.1/Contemporary Art Center, New York (2000). Lombardi’s work is also included in many museums and collections, such as he Museum of Modern Art, New York, The Whitney Museum of American Art, New York, The New Museum, New York, The Jewish Museum, New York, The Smithsonian American Art Museum, Washington and the Reina Sofia Museum, Madrid.


BORN

1951 in Syracuse, USA

DIED
2000 in New York, USA

EDUCATION
1974 BA in Art History, Syracuse University, Syracuse, USA

Exhibitions

selected SOLO EXHIBITIONS and SCREENINGS

2011
Index, Pierogi, Brooklyn, NY, USA

2008/09
Museum of Contemporary Art Leipzig, Galerie für Zeitgenössische Kunst, Leipzig, Germany (Two-person show with Julius Popp)

2007
De La Warr Pavillion, Bexhill on Sea, UK
Whitworth Art Gallery, Manchester, UK

2006
A Secret Service: Art, Compulsion, Concealment, Hayward Gallery Touring Exhibition: Hatton Gallery, Newcastle University, UK

2005
Narrative Structures, Galerie Thomas Schulte, Berlin, Germany
International, New York. Curated by Robert Hobbs. (Kat.)
Opening at Herbert F. Johnson Museum of Art, Cornell University, Ithaca, USA, January 2003
Other locations include:Cleveland Museum of Contemporary Art, Cleveland, USA
Jean Paul Slusser Gallery, University of Michigan, Ann Arbor, USA
The Drawing Center, New York, USA
Faulconer Gallery, Grinnel College, Grinnell, USA

2004
AGO – Art Gallery of Ontario, Musée des Beaux-Arts de l´Ontario, Canada

2003
Preparatory Drawings, Pierogi, Brooklyn, US
Global Networks, a traveling exhibition organized by Independent Curators

2000
Silent Partners, Sorenson Center for the Arts, Babson Park, USA
In Memory, Gallery Joe, Philadelphia, USA Birmimgham Arts Festival, England

1999
Vicious Circles: Drawings, Deven Golden Fine Art, New York, USA

1998
Silent Partners, Pierogi 2000, Brooklyn, NY, USA
Crossing the Line: 1994–8, Museum of Contemporary Art, Washington D.C., USA

1996
Over The Line: Drawings 1994-6, Lawndale Art and Performance Center, Houston, USA

GROUP EXHIBITIONS

2017
Who Pays?, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein

2016/17
You Don’t Need a Weatherman, Galerie Thomas Schulte, Berlin, Germany

2014
Clear, Gagosian Gallery, Beverly Hills, California, USA

2012/13
Art=Text=Art: Works by Contemporary Artists From the Collection of Sally and Wynn Kramarsky, Jane Voorhees Zimmerli Art Museum, New York, USA

2012        
Chaos! Komplexität in Kunst und Wissenschaft
, ERES-Stiftung, München, Germany
dOCUMENTA (13), Kassel, Germany

2011/12
The Oil Show, Hartware MedienKunstVerein, Dortmund, Germany

2011
Faster and Slower Lines – From the Collection of Pétur Arason and Ragna Róbertsdóttir
, Reykjavík Art Museum, Reykjavík, Island
barely there Part II, Museum of Contemporay Art Detroit, USA
Erre, variations labyrinthiques, Centre Pompidou-Metz, Metz, France
September 11, MoMA PS1, New York, USA
8th Bienal do Mercosul, Bienal do Mercosul, Porto Alegre, Brasil
Sharjah Biennial 10 – Plot for a Biennial, Sharjah Biennial, Sharjah, United Arab Emirates
politics. ich-ichs-wir, Columbus Art Foundation, Ravensburg, Germany

2010
Uneven Geographies. Art and Globalisation, Nottingham Contemporary, Nottingham, UK

2009-10
Compass In Hand:Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, USA

2009
Shadow/Existence, SCHEIBLERMITTE, Berlin, Germany
Essential Works, Galerie Gabrielle Maubrie, Paris, France
Reduced Visibility, MFAH – Museum of Fine Arts Houston, Houston, USA
NARCOTICA, Galerie Im Regierungsviertel – THE FORGOTTEN BAR, Berlin, Germany
Monument to Transformation 1989-2009, City Gallery Prague / Galerie Hlavního Města Prahy, Prague, Czech Republique
Rich Text, Fleisher/Ollman Gallery, Philadelphia, USA
All Over the Map, John Michael Kohler Arts Center, Sheboygan, USA

2008
Carte Blanche IV: Dogenhaus Galerie Leipzig, Galerie für Zeitgenössische Kunst – GfZK, Leipzig, Germany
More than Words, Von Lintel Gallery, New York, USA
Error #9: Shadow Cabinet (three rendezvous), Extra City – Center for Contemporary Art, Antwerpen, Belgium
Martian Museum of Terrestrial Art, Barbican, London, England
Carte Blanche: Freundliche Feinde, Galerie für Zeitgenössische Kunst – GfZK, Leipzig, Germany

2007
New York – States of Mind, Queens Museum of Art, New York, USA
New York – States of Mind, Haus der Kulturen der Welt, Berlin, Germany
Intocable (el ideal de la transparencia), Patio Herreriano – Museo de Arte Contemporáneo Español, Valladolid, Spain
Raum – Orte der Kunst, AdK – Akademie der Künste, Berlin, Germany
A Secret Service – Art, Compulsion, Concealment, De La Warr Pavilion, Bexhill on Sea, England
Cosmologies, James Cohan Gallery, New York, USA
Mixed Signals, Ronald Feldman Fine Arts Inc., New York, USA

2006
Kapital, Kent Gallery, New York, USA
Moving on – Motion, Galerie Thomas Schulte, Berlin, Germany
Globalización: indicaciones/ efectos secundarios/ advertencias, Espacio 1414, Santurce, Puerto Rico, Puerto Rico, USA
Skirting the Line, Richard E. Peeler Art Center, Greencastle, USA

2005
Looking at Words, Andrea Rosen Gallery, New York, USA
Estudio: Tres o cuatro historias, Galeria Helga de Alvear, Madrid, Spain
Biennale de Quebec, Manif d’Art 3, Manifestation Internationale d’art quebec, Québec, Canada
Interessi Zero, Galleria Civica di Arte Contemporanea, Trento, Italy
Dating Data, Josee Bienvenu Gallery, New York, USA
Linear Photography, Bernard Toale Gallery, Boston, USA
Vivisección, Dibujo contemporáneo, Museo de Arte Carrillo Gil, Mexico City, Mexico
Traveling, The Art of Aggression: Iraqui Stories and Other Tales, The Reynolds Gallery, Richmond, USA
The Art of Aggression, The Moore Space, Miami, USA

2004
Election, American Fine Arts, New York, USA
Shifting Alliances, The Whitney Museum of American Art Independent Study Program (ISP), New York, USA
The Ten Commandments, German Hygiene Museum, Dresden, Germany
Open House O.K.-Centrum, Linz, Austria
South First, Brooklyn, USA

2003
World Watchers NGBK, Berlin, Germany
Doing Business: Dysfunctional Corporate Culture, Atrium Gallery at the University of Connecticut Storrs and University of Connecticut, Stamford, USA
Global Priority, The Herter Art Gallery at the University of Massachusetts, Amherst, USA
Somewhere better than this place, CAC (The Contemporary Arts Center), Cincinnati, USA
GNS Global Navigation System, Palais de Tokyo, Paris, France
For the Record: Drawing Contemporary Life, The Vancouver Art Gallery, Vancourver, Canada
Haupt-und Nebenwege, Galerie Christian Nagel, Köln, Germany
Lost Worlds Apocalyptic & Utopian Visions, Axel Raben Gallery, New York, USA
High and Inside, Marlborough Gallery, New York, USA
privat I öffentlich, Häusler Contemporary, München, Germany
American Dream, Ronald Feldman Gallery, New York, USA
Living Inside the Grid, The New Museum of Contemporary Art, New York, USA
The Incredible Lightness of Being, Black & White Gallery, Brooklyn, USA

2002
Center of Attraction, The 8th Baltlic Triennial of International Art, Contemporary Art Centre, Vilnius, Lithuania
Overt Operation, Joseph Helman Gallery, New York, USA
Strategy, La Plage, Neuchatel, Switzerland
Libres Echanges / Material World, Centre d’Art Contemporain Genève, Geneva, Switzerland
Terra Incognita: Contemporary Artist’s Maps and Other Visual Organizing Systems, Contemporary Art Museum, St. Louis, USA
Empire / State: Artists Engaging Globalization, Graduate Center of the City University of New York, USA,

2001
Brooklyn!, Palm Beach Institute of Contemporary Art, Palm Beach, USA
The Communications Department, Anthony Wilkinson Gallery, London, UK
Let’s Get to Work, Susquehanna Art Museum, Harrisburg, USA
Art at the Edge of the Law, The Aldrich Museum of Contemporary Art, Ridgefield, USA
Nancy drew, SPACES, Cleveland, USA
All Systems Go, Contemporary Arts Museum, Houston, USA
Fresh: The Altoids Curiously Strong Collection 1998-2000, The New Museum of Contemporary Art (Permanent Collection), New York, USA
Tribes Gallery, New York, USA
University Art Museum, University at Albany, Albany, USA
Blurry Lines, John Michael Kohler Arts Center, Sheboygan, USA

2000
Errant Gestures: Visual and Verbal Correspondences, Apex Art, New York, USA
Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado, Boulder, USA
Multiple Sensations: series, collections, obsessions, Yerba Buena Center for the Arts, San Francisco, USA
A Selective Survey of Political Art, John Weber Gallery, New York, USA
Greater New York, P.S.1/Contemporary Art Center, Long Island City, USA
World Trade, Roebling Hall, Brooklyn, USA
Circles, Bonafide Gallery, Chicago, USA
Newsroom, Roger Smith Gallery, New York, USA

1999
Touring the Frame, Rosamund Felsen Gallery, Santa Monica, USA
Pierogi 2000: Flatfiles, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, USA
Monumental Drawings, Exit Art, New York, USA
Brooklyn: New Work, Contemporary Arts Center, Cincinnati, USA
Altoid’s Collection, Clementine Gallery, New York, USA
Centre Gallery, Miami-Dade College, Miami, USA
Inside Art, Chicago, USA
Robert Berman Gallery, Santa Monica, USA
Walter/McBean Gallery, San Francisco Art Institute, San Francisco, USA
The Other Side of New York, Galleria Maze, Turin, Italy
Seeing Money, Portland Art and Cultural Foundation, Portland, USA
Drawing Rules, Gallery Joe, Philadelphia, USA
Rage For Art, Pierogi 2000, Brooklyn, USA

1998
Seeing Money, Rotunda Gallery, Brooklyn, USA
Why Can’t We All Just Get Along?, Deven Golden Fine Art, New York, USA
Laissez-Faire, Printed Matter, New York, USA
Versus IV, Ex-Lanificio Bono di Carignano, Turin, Italy
Apocalypse Now, Here Art, New York, USA

1997
Heaven, P.S.1/Contemporary Art Center, Long Island City, USA
Selections: Winter 1997, The Drawing Center, New York, USA

1996
Art Mall, Printed Matter, New York, USA
Inner Sanctum, Robert McClain and Company, Houston, USA
The Big Show, Lawndale Art and Performance Center, Houston, USA
Critic’s Choice, Dallas Visual Art Center, Dallas, USA
Honorable Mention, Blaffer Gallery, University of Houston, Houston, USA

1995
The Big Show, Lawndale Art and Performance Center, Houston, USA