GALERIE THOMAS SCHULTE

Iñigo MANGLANO-OVALLE

BIBLIOGRAPHY

EXHIBITION CATALOGUES & PUBLICATIONS

2010
Gravity is a force to be reckoned with. North Adams, MA: MASS MoCA, 2010. Essays by William Baker, Lisa Dorin and Denise Markonish.
Drutt, Matthew. DreamWorks. San Antonio, TX: Artpace San Antonio, 2010. 14.
Wolf, Sylvia. The Digital Eye, Photographic Art. New York: Prestel Publishing (in cooperation with the Henry Art Gallery, University of Washington, Seattle, Washington), 2010. 36, 118-119.
Yesterday’s Tomorrows. Montreal: Musée d’art contepmorain de Montréal, 2010. Front and back covers, 18-19, 35-36, 84-87. Essay ‘Mining Modernism’ by Lesley Johnstone

2009
Gravity is a force to be reckoned with (brochures). North Adams, MA: MASS MoCA, 2009.Essay by Denise Markonish
Lo cotidiano, PhotoEspaña 2009. Madrid, Spain: La Fabrica, 2009. 128-131. Text by Iñaki Estella
Learning Mind, Experience Into Art. Berkeley, Los Angeles, London: University of California Press, 2009. 217. Edited by Mary Jane Jacob and Jacquelynn Baas
Ecomedia: Estrategias Ecológicas en el Arte Actual. Valencia, Spain: Diputación de Valencia, Sala Parpalló, 2009. 18-19.Text by Karen Ohlenschläger
Bilder Schlachten. Vandenhoeck & Ruprecht: Göttingen, Germany, 2009. 314-315. Text by Gabriele Mackert
Universal Code. Toronto: The Power Plant, 2009. 20-21, 44-45. Essay by Gregory Burke
Jorge Oter-Pailos. Köln: Verlag der Buchhandlung Walther König, 2009. 38-39. Essay by Caroline A. Jones, "Dusting"
Projections. Paris: Archibooks + Sautereau Éditeur, 2009. 80-85.

2008
Heartney, Eleanor. Art & Today. New York: Phaidon Press, 2008.
Exposición International Zaragoza 2008. Zaragoza, Spain: Expoagua Zaragoza 2008 S.A./Turner. 230-231
Flow. Minneapolis College of Art and Design, Minneapolis, MN, 2008. Essay by Patricia Briggs - Time, Transparency, Flow
Virtual Aesthetics. Innsbruck, Austria: Kyrene Verlag, 2008. 47- 62, image appendix 31-34. Conversation with Phillip Messner
The Marfa Sessions. Marfa, Texas: Ballroom Marfa, 2008. 23, 32. Essay by Josh Kun
Revisiting the Glass House. Ridgefield, Connecticut: The Aldrich Contemporary Art Museum, 2008. 102-105. Text by Jessica Hough
GSA Art in Architecture: Selected Artworks 1997-2008. Washington, D.C.: U.S. General Services Administration, 2008. 32, 88-91.Text by Michael Finn
Weather Report; Cambio Climatico y Artes Visuales. La Fabrica: Centro Atlantico de Arte Moderno, 2008. Edited by Alvaro Rodriguez-Fominaya.

2007
Documenta Kassel 16/06-23/09 2007 Catalogue. Kassel, Germany: Documenta and the Museum Fridericianum, 2007: 280-281, plates 281. Edited by Isabella Marte. Text by Russell Storer.
Ecomedia: Ecological Strategies in Today’s Art. Germany: Hatje Cantz Verlag, 2007:120-123. Essay on the artist by Karin Ohlenshläger, edited by Sabine Himmelsbach and Yvonne Volkart for Edith Russ Site for Media Art, Oldenberg.
Exit 26: Through the Window, "Exit — Image & Culture" quarterly publication, Madrid, 2007: 172-174, plates 172-173. Edited by Rosa Olivares.
Iñigo Manglano-Ovalle: Blinking Out of Existence. Rochester, MN: Rochester Art Center, 2007. Essays by Claire Barliant and Kris Douglas. Interview with the artist by Yasmil Raymond.
Weather Report: Art and Climate Change. Boulder, Colorado: Boulder Museum of Contemporary Art in collaboration with EcoArts, 2007: 80-81.Essays by Lucy R. Lippard, Stephanie Smith and Andrew C. Revkin. Edited by Elizabeth Marglin, Kim Manajek and Isabella Gonzales.

2005
City Art, New York’s Percent for Art Program. London: Merrell Publishers Limited, 2005: 36.
Closer to Home, The 48th Corcoran Biennial. Washington, D.C. The Corcoran Gallery of Art, 2005: 16, 52-3. Essay by Jonathan P. Binstock and Stacey Schmidt. Text by Jonathan P. Binstock
The Krefeld Suite, Krefeld, Germany, Edited by Martin Hentschel, Haus Esters and Haus Lange of the Krefelder Kunstmuseen 2005, Essays by Stuart Krimko and Jonathan Miller
MUSAC, Collection Volume 1. Museo de Arte Contemporáneo de Castilla y Léon, Spain: Junta de Castilla y Léon, Fundaciõn Siglo, 2005: 432, 433, 675. Text by Isabel Yanez.

2004
Iñigo Manglano-Ovalle. Monterrey, Mexico: Museo Tamayo Arte Contemporáneo and the Museo de Arte Contemporáneo de Monterrey, Mexico, 2004. Essays by Pedro Alonzo, Cuauhtémoc Medina, Tobias Ostrander and Victor Zamudio-Taylor.
International 04 Liverpool Biennial. Liverpool, England: Liverpool Biennial of Contemporary Art Ltd, 2004: 131-134. Essay by Paul Domela.

2003
Empathy, Beyond the Horizon. Pori, Finland: Pori Art Museum Publications, 2003: 159, plates 42-3. Edited by Marketta Seppala.
Frágiles. Spain: Espacio Liquido, 2003. 30-31.
Iñigo Manglano-Ovalle. Barcelona: Fundación la Caixa, 2003 Essays by Ralf Christofori, "Beyond Limits and Frontiers;" Ivo Mesquita. "A Conversation with Iñigo Manglano-Ovalle;" and James Rondeau, "Event Horizons." Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections. New York: The Solomon R.Guggenheim Foundation, 2003: 132-135. Essay by Lisa Dennison, Nancy Spector, and Joan Young, "Introduction."
Rush, Michael. Video Art. London: Thames & Hudson, 2003: 178-181.
Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art. Cincinnati: Contemporary Arts Center, 2003. Essays by Thom Collins and Michael Foucalt.
Unnaturally. New York: Independent Curators International, 2003:19.Essay by: Mary-Kay Lombino, "Artists in the Garden."

2002
Barragán, Paco. El arte que viene/ The Art to Come. Madrid: Subastas Siglo XXI, 2002.
A New World Trade Center: Design Proposals from Leading Architects Worldwide. New York: Harper Collins Publishers Inc., 2002.Essays by Max Protetch and participating artists and architects.
Fugitive Sites. San Diego: Installation Gallery, 2002: cover, 162-165, 254-255.
Gene(sis), Contemporary Art Explores Human Genomics (cd-rom catalog): 2002. Essay by Robin Held.
Lateral Thinking: Art of the 1990`s. San Diego: Museum of Contemporary Art, San Diego, 2002: 20, 130. Essay by Toby Camps.
Life Death Love Hate Pleasure Pain, A Spectrum of Contemporary Art at the MCA, Chicago. Chicago: Museum of Contemporary Art, Chicago, 2002: 29, 164, 256-57, 347. Essay by Elizabeth Smith.
Límits de la Percepcio. Barcelona, Spain: Fundació Joan Miró 2002: 22, 104, 114. Essay by Teresa Blanch.
One Place After Another, Site-Specific Art And Locational Identity. Cambridge: The MIT Press, 2002: 102, 133, 130, 132-135, 146, 150, 153, 200-201. Essay by Miwon Kwon.
Políticas de la diferencia: Arte Iberoamericano fin de siglo. Generalitat deValencia, Spain: 2002. Essay by Flores F. Castro and Kevin Powers, "Cool Passages: Late Modernism & Contemporary post Latino-American Art in the US."
Tempo. New York: Distributed Art Publishers, Inc., 2002: 8, 15, 47. Essay by Paulo Herkenhoff, "A Tempo Lexicon."
Visions from America, Photographs from the Whitney Museum of American Art. New York: Whitney Museum of Art, 2002: 46, 226. Essay by Andy Grundberg, "A Medium No More (Or Less): Photography and the Transformation of Contemporary Art."
Mask or Mirror? A Play of Portraits. Worcester: Worcester Art Museum, 2002. Essay by Susan L. Stoops.

2001
F[R]ICCIONES. Madrid: Museo Nacional Centro de Arte Reina Sofia, 2001: 156-157. Essay by Ivo Mesquita and Adriano Pedrosa.
Iñigo Manglano-Ovalle. Bloomfield Hills, MI: Cranbrook Art Museum, 2001. Essays by Irene Hoffman, "In the Presence of Mies;" Anna Novakov, "Nowhere to Hide;" and Michael Rush, "Interview with Iñigo Manglano-Ovalle."
Iñigo Manglano-Ovalle. Madrid, Spain: Galeria Soledad Lorenzo, 2001. Essay by Gean Moreno, "The Politics of Pleasure."
Mies in America. New York: Whitney Museum of American Art, 2001: 506-507.
Paradise Now: Picturing the Genetic Revolution. Saratoga Springs: The Tang Teaching Museum and Art Gallery at Skidmore College, 2001. 76-77. Essay by Marvin Heiferman and Carole Kismaric.

2000
out of order: mapping social space. Boulder: CU - Art Galleries, Colorado University, 2000. Essays by Maureen P. Sherlock and Susan Krane.
Whitney Biennial, 2000 Biennial. New York: Whitney Museum of American Art, 2000. Essays by Maxwell Anderson, Michael Auping, Valerie Cassel, Hugh M. Davies, Jane Farver, Andrea Miller-Keller, and Lawrence R. Rinder.
Eiszeit: Kunst der Gegenwart aus Berner Sammlungen. Bern, Switzerland: Kunstmuseum Bern, 2000. Essays by Ralf Beil and Marc Fehlmann.
Ultra Baroque: Aspects of Post Latin American Art. San Diego: Museum of Contemporary Art, San Diego, 2001: 9-10, 56-61, 200-201.Essays by Elizabeth Armstrong, Miki Garcia, Victor Zamudio-Taylor.

1999
Dinge, Die Wir Nicht Verstehen (Things We Don`t Understand). Vienna, Austria: Generali Foundation, 1999: 51-86. Essay by Roger M. Buergel and Ruth Noack, "Das Erzählbild/Narrative Image."

1998
Amnesia. Santa Monica: Smart Press, 1998. Essays by Monica Amor, Dan Cameron, Charles Merewhether, Adriano Pedrosa.
Iñigo Manglano-Ovalle: 97.4. San Antonio: Art Pace: A Foundation for Contemporary Art, 1998. Essay by Lynne Cooke.
Iñigo Manglano-Ovalle: The Garden of Delights. Winston-Salem: Southeastern Center for Contemporary Art, 1998. Essays by Mark Linga, "Bridging the Worlds of Art and Science: The Garden of Delights Residency;" Ron Platt, "Iñigo Manglano-Ovalle: The Garden of Delights;" and Maureen Sherlock, "Shadow Dancing: the work of Iñigo Manglano-Ovalle."
XXIV São Paulo Bienal. São Paulo: Fundação Bienal de São Paulo, 1998.Essay by Rina Carvajal, "Rutas-America Latina."

1996
Art in Chicago 1945-1995. Chicago: Museum of Contemporary Art, Chicago, 1996: 128, 139-141, 92. Essays by: Kate Horsefield, "Towards a history of Chicago Video;" Judith Russi Kirshner, "Resisting Regionalism;" and Lynne Warren and Staci Boris, "Chicago City of Neighborhoods."
Second Sight: Printmaking in Chicago 1935-1995. Evanston: Mary and Leigh Block Gallery, Northwestern University, 1996:31, 41, 161. Essay by James Yood, "Sighting/Citing the Site."

1995
Culture in Action. Seatle: Bay Press, Inc., 1995: 16-17, 25-27, 76-87. Essays by Michael Brenson, Healing in Time; and Mary Jane Jacob Outside the Loop and Tele-Vecindario
Xicano Progeny: Investigative Agents, Executive Council and OtherRepresentatives from the Sovereign State of Aztlán. San Francisco: Mexican Museum, 1995: 5, 33-35. Essay by Armando Rascón.

1994
Korrespondenzen/Correspondences. Berlin: Berlinische Galerie Museum für Moderne Kunst, 1994: 86-91, 42-44. Essays by Doug Ischar, "Iñigo Manglano-Ovalle;" and Judith Russi Kirshner, "Lost in Berlin/Verlonen in Berlin."

CRITICAL & EXHIBITION REVIEWS

2010
Johnson, Grant, "Iñigo Manglano-Ovalle, Chicago + North Adams", Art Papers, May/June 2010: 51
Smee, Sebastian, "For Art Lovers, Western Mass. Awaits", The Boston Globe, March 7, 2010: N6
Buttenwiswieser, Sarah, "Iñigo Manglano-Ovalle: Gravity is a force to be reckoned with", Art New England, February/March 2010: 43
Navarro, M., "Iñigo Manglano-Ovalle" Artecontexto 25 (Spain), February, 2010: 128-129
Santos, Juan José, "Iñigo Manglano-Ovalle" Lápiz 259/260 (Spain), February, 2010: 159
Holland, Laura, "House of Glass", Preview Massachussetts, February 2010: 13-17
De La Villa, R., "Iñigo Manglano-Ovalle. A la intemperie" La Vanguardia (Spain), January 27, 2010: 19
Hontoria, Javier, "Iñigo Manglano-Ovalle, inquietantemente blanco", El Cultural (Spain),
January 22, 2010: 30-31
Carpio, F., "Escala de blancos", ABC de las Artes (Spain), January 16, 2010: 29
Tallman, Susan, "Learning Styles", Art in America, January 2010: 92

2009
Yood, James, "Iñigo Manglano-Ovalle at Donald Young Gallery", Art Forum, February 2009: 197
Ortega Dolz, Patricia, "Visión nocturna en el Matadero", El Pais (Spain), May 30, 2009: p. 8, Madrid Section
Shapiro, Howard, "On the &699;Hidden City&700; Trail", The Philadelphia Inquirer, June 8, 2009: B1, B6.
Cerceda, Miguel, "Díselo con flores", El ABC las Artes y las Letras (Spain), June 14, 2009
Stern, Gary M., "Iñigo Manglano-Ovalle", Hispanic Outlook, September 21, 2009: 28-29

2008
Haacke, Hans, October, no.123, Winter 2008: 79
Butler, Jo Anne, "Balloons, Ponys, Sunshine and Dolphins", The Visual Arts News Sheet (Ireland), November-December 2008: 21
O’Sullivan, Marc, "Weekend", Irish Examiner, September 27, 2008: 4
"Human Nature: Artists Respond to a Changing Environment", Dwell, July/August 2008: 62

2007
Blocker, Jane, "Blink: The Viewer as Blind Man in Installation Art", Art Journal Winter, 2007: 19-21
Artner, Allen, "Rymer Gallery is full of emptiness", Chicago Tribune,September 13, 2007: Section 5, p. 3
Mas de Xaxás, Xavier, "El camión fantasma de Colin Powell", La Vanguardia (Spain), July 29, 2007: Cultura section, p. 45
Schwarz, Michael, "Wenn die Erfahrungen verblassen, verlieren die Bilder an Wahrheit", Braunschweiger Zeitung (Germany), July 17, 2007
Fraschke, Bettina, "Der zweite Kassel-Marathon", Hessische Allgemeine (Germany), June 18, 2007: Kutur section, p. 1
Karmakar, Romuald, "Manglano-Ovalle, Phantom…", Sueddeutsche Zeitung, (Germany), June 17, 2007: Feuilleton, p.16
Behler, Sven, "Das Umschiffen des Greifbaren great zum Prinzip", Die Glocke, June 14, 2007: Kultur/Roman section
Wagner, Thomas, "Manglano-Ovalle: Politischer Truck", Frankfurter Allgemeine Zeitung (Germany), June 9, 2007: D2
Nance, Kevin, "A Storm Brews In Chicago", Chicago Sun-Times, March 28, 2007: 37
Kunitz, Daniel, "Goulash by Committee", The New York Sun, March 15, 2007:
Sanchez, Suset, "Iñigo Manglano-Ovalle: Always After", Artecontexto (Spain), no. 13 January-March, 2007: 126-127
O.A.M, "Iñigo Manglano-Ovalle", Arte y Parte (Spain), no. 67 February-March, 2007: 123
Sergio, Rubira, "Iñigo Manglano-Ovalle", Exit Express (Spain), no. 25 February, 2007
Dos Santos, Sofia, "Iñigo Manglano-Ovalle", NEO2 (Spain), February 2007
Montes, Javier, "Nubarrones de tormenta", El ABC las Artes y las Letras (Spain), January 20, 2007: 36
De Alfonso, Carlota, "Iñigo Manglano-Ovalle. ‘Always After’", El Punto de las Artes (Spain), January 19, 2007

2006
Rhee, Bohyung, "Manglano-Ovalle Redefines Political Art", Columbia Spectator (New York), November 8, 2006
Briggs, Patricia, "Iñigo Manglano-Ovalle at Rochester Art Center", Art Forum, November 2006: 304
Serisier, Gillian, "Climate Change", (inside) issue 43, 2006: 41
Nance, Kevin, "In Motion", Chicago Sun-Times, June 11, 2006: Section D, p. 1
Kamin, Blair, "The Building Isn&700;t Finished, but at Leas the Art is Ready", Chicago Tribune, May 16, 2006: Section 5, p. 1, 9
Hawkins, Margaret, "Breakin Boundaries", Chicago Sun-Times, May 6, 2006: 13
Artner, Alan, "A Strong Opener", Chicago Tribune, May 5, 2006

2005
Artner, Alan, "Massive Works Reveal Less Than Meets the Eye," Chicago Tribune. Mar 3, 2005: 3.
Danto, Ginger. "Ice Bound." The New York Times. March 27, 2005: AR6.
Leonard, Jennifer. "Q&A: Iñigo Manglano-Ovalle." Azure. June 2005: 28.
Nance, Kevin. "Who`s the Next Art Star?" Chicago Sun Times. December 3: 51.

2004
Workman, Michael. "Iñigo Manglano-Ovalle: Anatomy of a Black Hole." Flash Art. January/February 2004: 76-79.
Verdino, Stefano. "Genova, Le Forme Dell&700; Arte," Corriere Della Serra. (Genoa, Italy) October 2, 2004: supplement, page 1.

2003
Autorretratos/Self-Portraits." EXIT. (Madrid, Spain) June/July/Aug. 2003: 83.
Bauer, Marilyn. "Open Mind, Expect Surprises." Cincinnati Enquirer. 31 May 2003.
Belasco, Daniel. "Iñigo Manglano-Ovalle at Max Protetch." Art in America. June 2003: 116. Chambers, Christopher. "Iñigo Manglano-Ovalle." Flash Art. March/April 2003: 112.
Cooke, Lynne. "Iñigo Manglano-Ovalle." Dreaming Red, Creating Art Pace. San Antonio: ArtPace, Foundation for Contemporary Art, 2003: 25,158-63.
Cuevas, Oscar. "Iñigo Manglano." Galaxia. (Madrid, Spain) September/October 2003: 48-49.
Griffin, Tim. "Iñigo Manglano-Ovalle at Fundacio La Caixa." Art Forum. May 2003: 69.
De Alfonso, Carlota. "Iñigo Manglano-Ovalle entre la experiencia y la reflexión (Betweeen Experience and Reflection)." El Punto de las Artes. 22 May 2003: 4.
Hofmann, Irene. "Cranbrook Art Museum Hits the Road: A Report on Iñigo Manglano-Ovalle from California." Outline Spring. 2003: 11.
Iñigo Manglano-Ovalle en la Fundación La Caixa: Metáforas Meteorólogicas (Meteorological Metaphors)." Guia De Madrid. 6 June 2003: 46.
Jarque, Fietta. "Iñigo Manglano-Ovalle." El Pais. 10 May 2003.
Johnson, Ken. "Iñigo Manglano-Ovalle, Purgatory." New York Times. 14 February 2003: 45E.
Kamin, Blair. "Working all angles." Chicago Tribune. 5 June 2003.
Levin, Kim. "Iñigo Manglano-Ovalle at Max Protetch Gallery."The Village Voice. 22-28 January 2003.
Liu, Timothy. "Iñigo Manglano-Ovalle at Max Protetch Gallery." Art Papers. May/June 2003: 42.
Lloyd, Anne Wilson. "The Art That`s Living in the House Hadid Built." New York Times. 8 June 2003: 29AR.
Martín Galán, Fernando. "El Sonido de Escuchar…(The Sound of Listening…)." Blanco y Negro Cultural. 24 May 2003: 30.
Medina, Cuauhtémoc. "Abstraccion e hibridation." Reforma. 23 July 2003.
Navarro, Mariano. "Manglano-Ovalle, La Musculatura de las Nubes," El Cultural. May 2003: 22-26
Olmo, Santiago. "La Lucidez Como Paradoja, (Lucidity and Paradox)."Arte Y Parte, Revista de Arte. (Espana, Portugal y America) April/May 2003: 42-53.
Stein, Jerry. "Views of a Different World, Exhibit Visitors Invited into Artist`s Worlds." Cincinnati Post. 30 May 2003.
Wario, Bertha. "Invitan a vivir sus obras." El Norte. 31 October 2003.

2002
Allara, Pamela. "Iñigo Manglano-Ovalle: pie in the sky." Art New England. June/July 2002: 12.
Barragán, Paco. "El arte que viene / The Art to Come," Subastas Siglo XXI. (Madrid, Spain) 2002.
Bonami, Francesco. "INOVA: A Conversation with the Curatorial Team: F. Bonami interviews P. Alonzo; S. Karmen Cubiña; P. Doroshenko; M. Knode; B. Kölle; J. Sans; and V. Zamudio-Taylor." ATLÁNTICA. (Gran Palma, Islas Canarias: Spain) Spring, 2002.
Kwon, Miwon. One Place After Another, Site-Specific Art And Locational Identity. Cambridge: The MIT Press, 2002: 102, 133, 130, 132-135, 146, 150, 153, 200-201.
Mannisto, Glen. "Iñigo Manglano-Ovalle." New Art Examiner. January/February 2002: 70.
Ngo, Dung, and Adi Shamir Zion. Open House: Unbound Space and the Modern Dwelling. New York: Rizzoli International Publications, 2002: 115,116-17.
Palmer, Valerie. "In Ordinary Time: Interview with Iñigo Manglano-Ovalle." New Art Examiner. January/February 2002: 32-35.
Rajakovics, Paul. "Parakontext für Planungsneuroktiker/Innen." Derive. (Austria) October-December 2002: S15.
Shulman, Ken. "A Love - Hate Affair with Architecture." New York Times.31 March 2002: 33 sec2.
Schneider Enriquez, Mary. "Iñigo Manlglano-Ovalle: Rose Art Museum, Brandeis University." Art Nexus. July/Sept. 2002: 96-97.
Vicente, Mercedes. "Formas Exquisitas del Pensamiento Critico, nterview with Iñigo Manglano-Ovalle." Lapiz. (Spain) issue 190/191 2002: 54-69.

2001
"Der Kuss / Le Baiser Iñigo Manglano-Ovalle" ARCH+: Zeitschrift für Architektur und Städtebau, Arch+ Verlag. (Aachen, Germany) September 2001: 60, 61.
Andrews, Lori and Dorothy Nelkin. "Bio-Collectables and Body Displays."Body Bazaar, The Market for Human Tissue in the Biotechnology Age. New York: Crown Publishers, 2001: 138-141. (reprinted in Zehar Summer 2001: 11, 14, 15, 20, 21.)
Benitez Dueñas, Issa Maria. "Iñigo Manglano-Ovalle: Galeria Soledad Lorenzo." Art Nexus. May/July 2001: 141-142.
Celant, Germano. "Iñigo Manglano-Ovalle." Interni. (Italy) issue 514 September 2001: 242-247.
Medina, Cuauhtémoc. "InSITE 2000: Máscara contra extraterrestres." Reforma. (Mexico City) 14 Feb. 2001.
MacAdam, Barbara A. "New York Review." Art News. Sept. 2001: 174.

2000
Betsky, Aaron. "The New Boxsters." Architecture. July 2000: 83-89.
Cone, Michele C. Art News. June 2000.
Cotter, Holland. "Iñigo Manglano-Ovalle." New York Times. 21 April 2000.
Cullen, Catherine. Art Papers. July/August 2000: 39-40.
Ellison, Victoria. "Life Potential: Gallery or Laboratory?" Seattle Weekly. 17 February 2000.
Fredericksen, Eric. "Obscure Objects of Desire." The Stranger. (Seattle) 27 January 2000.
Gilson, Nancy. "Creative &699;Clock&700; installation tells timeless truths." The Columbus Dispatch. 2 January 2000: 1G.
Jiménez, José. "Iñigo Manglano-Ovalle: Ese Espacio Entre Medias." El Mundo. 9 Dec. 2000: 44.
Kaplan, Cheryl. "Iñigo Manglano-Ovalle." BOMB. Summer 2000: 96-99.
Kimmelman, Michael. "A New Whitney Team Makes Its Biennial Pitch."New York Times. 24 March 2000: 31E.
Lloyd, Ann Wilson. "What I Saw at the Whitney." Provincetown Arts. vol.15 2000/01.
Moreno, Gean. "Inigo Manglano-Ovalle and the Politics of Pleasure." New Art Examiner. September 2000: 22-25, 46.
Palmer, Laurie. Frieze. March-April 1996: 71.
Pollack, Barbara. "The Genetic Esthetic." Artnews. April 2000: 134-136.
Quinones, Paul. Flash Art. Summer 2000: 113.
Rose, Cynthia. "Banks in Pink and Blue: A New Look at DNA." The Seattle Times. 21 January 2000.
Rush, Michael. "Transparent Scenarios." Art In America. October 2000: 134-137.
Saltz, Jerry. "My Sixth Sense." The Village Voice. 4 April 2000: 69.

1999
Arning, Bill. "São Paulo Bienal." World Art. January 1999: 72-74.
Bastyr, Kim. "The Fab Five: A Sampling of Chicago’s New Guard of Artists." Chicago Social. September 1999: 306-307.
Iriarte, Maria Elvira. "24th São Paulo Biennial." Art Nexus. Feb./April 1999: 61.
Johnson Doughtery, Linda. "Review: Iñigo Manglano-Ovalle." Sculpture. Mar. 1999: 66.
Naisbitt, John, with Nana Naisbitt and Douglas Philips. High tech / high touch: technology in the search for meaning. New York: Broadway Books, 1999. 190, 202, 258.
Sokoloff, Ana. "Manglano-Ovalle: The Poetics of Tolerance." Art Nexus. Feb./April 1999: 40-44.
Updike, Robin. "The Self, Absorbed: artists looking inwards." The Seattle Times. 14 September 1999.
Vogel, Carol. "Surprises in Whitney's Biennial Selections." New York Times. 8 December 1999.

1998
Cho. "Iñigo Manglano-Ovalle." New York Arts. October 1998: 41.
Colpitt, Frances. "New Works at ArtPace," Art in America. October 1998:143.
Holub, Barbara. "Sozialengagierte Kunst Als für Subversion." [HG] O.K. 1998: 106-107.
Isé, Claudine. "Confinement & Solitude: Feeling &699;The El Niño Effect&700;." Los Angeles Times. 1 May 1998: 47F.
Moser, Johann. "Was hat Rodney King mit der Entwicklung der New Genre Public Art Zu Tan?" [HG] O.K. 1998: 61-71.
Patterson, Tom. "Search for Identity." Winston-Salem Journal. 26 July 1998: 1E.
Patterson, Tom. "Investigating Identity." Winston-Salem Journal. 6 September 1998: 5E.
Sherlock, Maureen. "Moral Minimalism and the Suburban Spectacle." Art Papers. May/June 1998: 22-25.
Spade, Sue. "Iñigo Manglano-Ovalle at Christopher Grimes." L.A. Weekly. 1-7 May 1998: 53.

1997
Clearwater, Bonnie. "Studio Visit." Trans. issue 3/4, 1997.
Kwon, Miwon. "For Hamburg: Public Art and Urban Identities." Kunst auf Schritt und Tritt. Editted by Christian Phillip Müller. Hamburg: Kulturbehörde Hamburg, 1997: 95.
Lippard, Lucy. The Lure of the Local: Sense of Place in a Multicentered Society. New York: The New Press, 1997. 10.
Camper, Fred. "Anti Masterpieces: Alfons Koller, Iñigo Manglano-Ovalle and Kara Walker." The Reader. (Chicago) 7 Feb. 1997.

1996
Artner, Alan. "Context." Chicago Tribune. 12 January 1996: 47 sec7.
Bedoya, Roberto. "Ethical Identity." Frame-Work. 1996: 30-31, 33.
Birbragher, Francine. Art Nexus. December 1996: 130-131.
Correa, Armando. El Nuevo Herald. (Miami) 31 May 1996: 1A.
Correa, Armando. El Nuevo Herald. (Miami) 1 June 1996: 10A.
Hackson Colby, Joy. "We can Humanize technology..." Detroit News. 11 April 1996.
Kane, Mitchell. New Art Examiner. February 1996: 43.
Killam, Brad. "Iñigo Manglano-Ovalle at Feigen, Inc." Art Muscle. April/May 1996: 34.
Kwon, Miwon. "Im Interese der Öffentlichkeit..." Springer. (Vienna) Dec.1996 - Feb.1997: 30-35.
Owen, McNally. "Beauty, Monstrosity of Violence..." Hartford Journal. 21 July 1996: 7, 1G.
Palmer, Laurie. Frieze. March/April 1996: 71.
Patner, Andrew. "Pier Takes a Turn." Chicago Sun-Times. 13 May 1996: 34.
Rosoff, Patricia. "Dead on Target." Hartford Advocate. 15 August 1996.
Stein, Lisa. New City. 14 December 1996: 26.
Zamudio-Taylor, Victor. Art Nexus. December 1996: 152-154.
Zamudio-Taylor, Victor. "Where is the Bleeding Heart?" Atlantica. (Gran Palma, Spain) Winter 1996: 82-91, 170-172.

1995
Baker, Kenneth. "Politics of Identity." San Francisco Chronicle. 6 May 1995: 1, 3E.
Bonetti, David. San Francisco Examiner. 28 April 1995: 17C.
Cantor, Judy. "Collective Experience." New Times. (Miami) 26 January 1995: 41 sec9.
Heartney, Eleanor. "Public Art in Action." Art in America. June 1995: 33.
Helfand, Glenn. "The Offspring." SF Weekly. 3 May 1995: 37.
Helguera, Pablo. "La Intrusión de la technología en el ser." Exito! 28 December 1995: 10.
Kuhn, Nicola. "Korrespondenzen." Der Tagesspiegel. (Berlin) 20 November 1995: 25.
Wilk, Deborah. "On View." New Art Examiner. Summer 1995: 40.

1994
Camper, Fred. "Human Nature." Chicago Reader. 15 July 1994: 24-25.
Corrin, Lisa. "Culture is Action: Action is Chicago." Sculpture. March/April 1994: 30.
Fox, Catherine. The Atlanta Journal/The Atlanta Constitution. 19 September 1994: 4B.
Kirshner, Judith Russi. "Street-Level Video Block Party." Artforum. January 1994: 86.
Kohen, Helen L. "Exhibition defies Latin art Stereotypes." The Miami Herald. 10 December 1994: 1,5G.
Sherlock, Maureen. "The Year of the White Bear." Art Papers. May/June 1994: 31,36-37.
Stevens, Liz. "Moving Pictures..." New City. 26 August 1994: 28.
Snodgrass, Susan. "Balsero." Art in America. September 1994.

1993
Artner, Alan. "Sharp conceptual show dares to be different." Chicago Tribune. 22 Jan. 1993: 56 sec7.
Büttner, Claudia and Martin Zeyn. "Gesten mit Konsequenzen." KULTUR - die tageszeitung. 13 Nov. 1993: 19.
Cameron, Dan. "Culture in Action." Flash Art. November/December 1993.
DeBartolo, Anthony. "Art of the Streets." Chicago Tribune. 31 Aug. 1993. sec1.
Gamble, Allison. "Reframing a Movement." New Art Examiner. December 1993: 18.
Heartney, Eleanor. "Culture in Action at Various Sites." Art in America. November 1993: 136-137.
Kimmelman, Michael. "Of Candy Bars and Public Art." New York Times. 26 September 1993: 1, 43 sec2.
Muschamp, Herbert. "Design vs. Environment: Architects Debate." New York Times. 23 June 23 1993: 1B.
Pincus, Robert L. "Substantial Slapstick." The San Diego Union-Tribune. 19 September 1993: 8E.
Scanlon, Joseph. "Sculpture Chicago's Culture in Action." Frieze. November/December 1993:22-27.
Snodgrass, Susan. "Culture in Action." Art Papers. November/December 1993: 7-11.
Van Matre, Lynn. "Carving a Niche." Chicago Tribune. 3 June 1993: 1C.

1992
Abbe, Mary. "Poor Columbus!" Minneapolis Star Tribune. 1 October 1992:E1.
Gomez-Peña, Guillermo. "New World (B)order." High Performance. Summer/Fall 1992: 60.
Helfand, Glenn. "Aliens at Home: Twin installation at New Langton probe American myths of culture and identity." SF Weekly. 6 May 1992.
Isaacs, Deanna. "Art People: Iñigo Manglano-Ovalle's Multicultural punch." The Reader. (Chicago) 11 Sept. 1992: 7.
Stevens, Mitchell. "All American." The Reader. (Chicago) 18 September 1992.

1991
Artner, Alan. "12 artists go to heart of Hispanic culture." Chicago Tribune. 24 May 1991: 68 sec7.
Barkert, Lynda. "Latino/a Artists at the Cultural Center." Chicago Artists' News. June 1991: 8.
Hixson, Kathryn. "In the heart of the country." ARTS Magazine. September 1991: 89.
Levin, Jordan. "Piercing the Velvet Curtain." Inside Arts. December 1991: 28.
Voboril, Mary. "Beyond Labels." Miami Herald. 16 April 1991: 1C.
Wolf Krantz, Claire. "In the heart of the country." New Art Examiner. Sep. 1991.