GALERIE THOMAS SCHULTE

Alice AYCOCK

BIBLIOGRAPHY

SELECTION

Archer, Michael, Art Since 1960, World of Art, Thames and Hudson Ltd, London, 1997, pp. 97-98.

Art of the 20th Century, ed. by Ingo F. Walther, with essays by Karl Ruhrberg, Manfred Schneckenberger,
Christiane Fricke, Klaus Honnef, 2 vol., Benedikt Taschen, Cologne, 1998.

Art in Arcadia, the Gori Collection Celle, a Tuscan Patron of Contemporary Art at his Country House, with an introduction by Giuliano Gori and essays by Renato Barilli, Francesco Gurrieri, Robert Hobbs, Knud W. Jensen, Pierre Restany, Turin, 1994.

Aycock, Alice, Project Entitled,"The Beginnings of A Complex..." (1976-1977): Notes, Drawings, Photographs, Lapp Princess Press, Ltd. in association with Printed Matter, Inc., 1977.

Clark-Langager, Sarah A., Sculpture in Place: a Campus as Site, Western Washington University, Bellingham, WA, 2002, pp. 63-68.

Davies, Hugh and Onorato, Ronald, Blurring the Boundaries,Installation Art 1969-1996, Museum of Contemporary Art, San Diego, D.A.P./Distribution Art Publishers, New York, NY, 1997, pp. 22, 108, and 179.

Diamonstein, Barbaralee (ed.), Artists and Architects Collaboration, Whitney Library of Design, Watson-Guptill Publications, NY, 1981, pp. 90-95, 152-155.

Fineberg, Jonathan, Art Since 1945, Prentice-Hall, 1994.

Fineberg, Jonathan, The Innocent Eye, Children’s Art and the Modern Artist, Princeton University Press, 1997.

Foster, Hal (ed.), The Anti-Aesthic, Essays on Post-Modern Culture, Bay Press, Washington, 1983, p. 39.

Hall, Michael D., Stereoscopic Perspective: Reflections on American Fine and Folk Art, U.M.I. Research Press, Ann Arbor, Michigan, 1988.

Harris, Stacy Paliologos, Insights/On Sights, Perspectives on Art in Public Places, Washington D.C., 1984.

Herzog, Samuel, Insel-Blicke. «Isole mai trovate» - eine Ausstellung mit zeitgenössischer Kunst im Palazzo Ducale von Genua, Neue Zürcher Zeitung, 29. März 2010.

Higuchi, Shoichiro, Public Art: Urban Sculpture of 50 Cities in U.S.A., printed in Japan 1990.

Hobbs, Robert, Alice Aycock: Sculpture and Projects, M.I.T. Press, Cambridge, MA, 2005 (monograph).

Hobbs, Robert, Water as Environmental Art: Creating Amenity Space, Kashiwashobo Publishing Co., Tokyo,
Japan, 1991.

Katushiro, Yanaguchi, Man and Machine, Parco Picture Books, Japan, 1985, pp. 65-87.

Lippard, Lucy, Six Years: The Dematerialization of the Art Object from 1966-72, Praeger,
New York, 1972, p. 208.

Lippard, Lucy, From the Center, Feminist Essays on Women’s Art, E.P. Dutton & Co., Inc., New York, 1976,
pp. 38-42, 139-148.

Lippard, Lucy, Overlay, Contemporary Art and the Art of Prehistory, Pantheon Books, New York, 1983.

Munro, Eleanor, Originals: American Women Artists, Simon and Schuster, New York, 1979, p. 391.

Robins, Corinne, The Pluralist Era, American Art 1968-1981, Harper and Row, New York, 1984.

Schwartz, Joyce Pomeroy, "Public Art", Encyclopedia of Architecture, vol. 4, Wilkes, Joseph A. (ed.), John Wiley & Sons Publishers.

Sky, Allison and Stone, Michelle, Unbuilt American, Forgotten Architecture in the United States from Thomas Jefferson, The Space Age, McGraw-Hill Book Company, 1976, p. 27.

Sondheim, Alan (ed.), Individuals: Post-Movement Art in America, "Work 1972-1974", by Alice Aycock, pp. 104-121.

Sonfist, Alan (ed.), Art in The Land, A Critical Anthology of Environmental Art, E.P. Dutton, Inc., New York, 1983.

Stiles, Kristine and Selz, Peter, Theories and Documents of Contemporary Art, University of California Press, California, 1996.

Torre, Susanna (ed.), Women in American Architecture: A Historic and Contemporary Perspective, Whitney Library of Design, 1977, p. 19.

Treib, Mark (ed.), Spatial Recall: Memory in Architecture and Landscape, Routledge, New York, NY,
and Oxon, United Kingdom, 2009, pp. 86-105.

Wines, James, De-Architecture, Rizzoli Int. Publications, Inc., New York, 1987.