GALERIE THOMAS SCHULTE

João PENALVA

BIBLIOGRAPHY

ARTIST BOOKS AND EDITIONS

Spaces between 5 chairs
Text by João Penalva
Graphic design by João Penalva with Inês Sena
Ed. 500, numbered, signed
Published by Edições Galeria Filomena Soares and Azinhagas e Ribanceiras Edições, Lisboa 2008

Looking up in Osaka
Texts by Yuko Hasegawa and João Penalva
Design by João Penalva with Inês Sena
Ed. 500, numbered, signed
Published by Edições Galeria Filomena Soares and Azinhagas e Ribanceiras Edições, Lisboa 2008

CLOCK/TEACH TOUCH
Text by Mark Gisbourne, ‘Narrative of the senses’
Graphic design by James Bolton
Silkscreened cardboard box containing two audio CDs, silkscreened cards and printed text sheet
Ed. 250, numbered, signed
Published by Public Art Development Trust, London 2000

Arquivos
Design by João Penalva
Photography by João Penalva with António Pinho
Ed. 1000
II Jornadas de Arte Contemporânea. Published by Câmara Municipal do Porto, Porto 1993

MONOGRAPHS

2007
Morgan Fisher, Katharine Stout, João Penalva, Mead Gallery, Warwick Arts Centre, The University of Warwick, Coventry 2007

2005
João Fernandes, João Penalva, Irish Museum of Modern Art, Ludwig Museum Budapest— Museum of Contemporary Art, Museu Serralves de Arte Contemporânea, Porto 2005

2001
Guy Brett, ‘To be Penalva’s public’; Mark Gisbourne, ‘In the absence of Absalom’; Yuko Hasegawa/João Penalva ‘A conversation in London’; Pedro Lapa, ‘Repetition against the law’,
João Penalva, Electa, Milano 2001

2001
Pedro Lapa, ‘Sense and Subversion’, João Penalva, R., Pavilion of Portugal, XLIX Biennale di Venezia, Instituto de Arte Contemporânea/Ministério da Cultura, Lisboa 2001

2000
Francis McKee and João Penalva, On the other hand, this is not my voice,
Tramway, Glasgow 2000

2000
Silvia Eiblmyer, Character and Player, Galerie im Taxispalais/Triton Verlag, Innsbruck/Wien 2000

2000
João Penalva, 336 PEK, Frac Languedoc-Roussillon and Camden Arts Centre,
London and Montpellier 2000

1999
Iwona Blazwick, ‘Wallenda’; Dan Cameron, ‘A split in time’; Juan Cruz, ‘Fictionalizing: João Penalva’s Character and Player’; Juliana Engberg, ‘Cinema Chartreuse’; Andrew Wilson, ‘LM44/EB61’; João Penalva and Andrew Renton ‘So you still don’t believe me’, João Penalva, Centro de Exposições, Centro Cultural de Belém, Lisboa 1999

1997
Isabel Carlos and João Penalva, ‘A propos the Ormsson Collection’; Ana Cristina Leite, ‘The Collection, the Collector, the Museum’, The Ormsson Collection, presented by João Penalva, Museu da Cidade, Lisboa 1997

1996
João Penalva, ‘Widow Simone (Entr’acte, 20 years)’; Andrew Renton, ‘Honest John; how to break a leg and influence people’; João Penalva, Widow Simone, (Entr’acte, 20 years), XXIII Bienal Internacional de São Paulo, Instituto de Arte Contemporânea/Ministério da Cultura, Lisboa 1996

1994
João Fernandes, João Penalva, Galeria Pedro Oliveira, Porto 1994

1993
Gareth Jones, Gill Hedley, Andrew Renton, João Penalva, ‘Conversation, London, 26th August 1993’, João Penalva — ‘7 Paintings’, Galeria Atlântica, Porto 1993

1990
Eduardo Paz Barroso, João Penalva, Galeria Atlântica, Porto 1990

1990
Ruth Rosengarten, João Penalva, ‘Two makes one better’, Galeria Atlântica, Porto 1990

1990
Marjorie Allthorpe-Guyton, ‘Collector’; Alexandre Melo, ‘A repertory and its effects’; Ruth Rosengarten, ‘In conversation with João Penalva’, João Penalva, Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian, Lisboa 1990

1989
Andrew Renton, João Penalva, ‘The Rabbit and the Genre’, Francis Graham-Dixon Gallery, London, 1989

1987
Wiliam Jeffett, João Penalva, Francis Graham-Dixon Gallery, London, 1987

1987
Philip Courtney, João Penalva, Sala Atlântica, Galeria Nasoni, Porto 1987

SELECTED ESSAYS PUBLISHED IN BOOKS AND GROUP EXHIBITIONS CATALOGUES

Anne-Marie Bonnet, 20 Jahre Barbara Gross Galerie, Barbara Gross Galerie, Munich 2008

João Penalva, ‘João Penalva — Interview’, in Résidents, Éditions du Panama, Paris 2007

Anna MacDonald, ‘The Bell-Ringer’, in Cinema Paradiso, ACCA, Australian Centre for Contemporary Art, Melbourne 2007

Paul Hobson, Gilane Tawadros ed., in Life is More Important Than Art, Ostrich, London 2007

Charles Esche, ‘Matts Leiderstam & João Penalva’, in there’s gonna be some trouble, the 5 year rooseum book, 2001-2006, Katarina Stenbeck ed.,
Rooseum Center for Contemporary Art, Malmö 2007

Miguel Amado, ‘Point of view’, in Point of view, Works from the Collection of the PLMJ Foundation, Fundação PLMJ, Lisboa 2007

Javier García Montes, ‘João Penalva’, in The Bergé Collection, Bergé y Cía, Madrid 2007

Natxo Checa, Óscar Faria, João Fernandes, in À propos des lieux d’origine
— Portugal agora, Musée d’Art Moderne Grand-Duc Jean, Luxembourg, Luxembourg 2007

Victor Pires-Vieira, Outras Zonas de Contacto: imagens contemporâneas de uma colecção privada, fcc/Museu da Cidade, Lisboa 2007

Margot Heller, Kit Hammonds, in Around the World in Eighty Days,
Institute of Contemporary Arts/South London Gallery, London 2006

Miguel Amado, ‘João Penalva’, in 25 Frames per second, Videos from the Collection of the PLMJ Foundation, Assírio e Alvim, Lisboa 2006

Óscar Alonso Medina, ‘Seña(le)s de identidad’, Territorios Oeste, aspectos singulares del arte portugués contemporáneo’, Museu de Arte Contemporáneo Union Fenosa, A Coruña 2006

João Penalva, ‘336 PEK’, Alessandra Pace, ‘João Penalva. Dokumentarfilm’ in
de dentro, 6 Portuguese Contemporary Artists, various authors, ed. João Pinharanda Instituto Camões/National Centre for Contemporary Arts, Moscow, Lisboa 2005

Isabel Carlos, ‘Todo o retrato é um retrato do artista’, in Glamour, A Arte Seduzida e Sedutora, PÚBLICO e Fundação de Serralves, Lisboa 2005

Tacita Dean, Jeremy Millar, Place, Thames and Hudson, London 2005

João Penalva, ‘Teaching teaches teachers. And students, too.’ in Malmö Art Academy, The first 10 years, various authors, ed. Sara Jordenö, Kajsa Dahlberg, Luca Frei, Malmö Art Academy, University of Lund, Malmö 2005

Various Authors, Marina Bistolfi ed., The Gesture, A visual library in progress,
Artout — Maschietto Editore, Firenze

Various authors, Infallible, In search of the Real George Eliot, Ed. Roxy Walsh,
ARTicle Press, University of Central England, Birmingham, 2005

David Barro, Del Zero al 2005: Perspectivas del Arte en Portugal, Fundación Marcelino Botín, Santander 2005

Various authors, Denise Robinson, ‘João Penalva’, Jo Lanyon and João Penalva, ‘João Penalva in Conversation’ in Thinking of the Outside, ed. Claire Doherty, University of the West of England, Bristol Legible City in association with Arnolfini, Bristol 2005

Various authors, Miradas y Conceptos en la colección Helga de Alvear,
MEIAC y Junta de Extremadura, Badajoz 2005

Mark Gisbourne, ‘A house in the country’, in Ein Europäische Portrait 2,
Rohkunstbau, Berlin 2004

Octavio Zaya, in FILES, (Mr Yamato artist project),
Museu de Arte Contemporáneo de Castilla y Léon, Léon 2004

Emília Tavares, 1980/2004 — Anos de Actualização Artística das Colecções do Museu do Chiado, Museu de Tavares Proença Junior, Castelo Branco 2004

Guy Brett, ‘To Be João Penalva’s Public’, in Carnival of Perception,
Selected Writings on Art, Institute of International Visual Arts, London 2004

Catarina Campino, ‘Take me to Portugal’, in The 2nd International Video-Art Biennial in Israel, Tel Aviv 2004

Anders Kreuger, ‘Prophetic Corners. Dealing with the future.’, in Periferic 6, Prophetic Corners, Musatinii Publishing House, Suceava 2003

Juliana Engberg, ‘The Labyrinthine Effect’, in The Labyrinthine Effect,
ACCA, Australian Centre for Contemporary Art, Melbourne 2003

Juan Antonio Álvarez Reyes, ‘El esfuerzo y sus carencias’, in
Ahalegina/Esfurezo, Koldo Mitxelena Kulturunea, Bilbao 2003

Philip Monk, ‘João Penalva’ in Members’ Quarterly Newsletter, Autumn 2003,
The Power Plant Contemporary Art Gallery, Toronto 2003

Nicolas de Oliveira, in Installation Art in the New Millennium,
Thames and Hudson, London 2003

João Penalva, ‘The Prize Song’, ‘Kitsune’, in Victoria Liu, Ewen McDonald,
Tech/No/Zone, Museum of Contemporary Art, Tapiei, Taipei 2002

Andrea Jahn, Ralf Christofori, ‘João Penalva’, in
Body Power/Power Play, Hatje Cantz, Ostfildern-Ruit 2002

Francis McKee, ‘Spinning Yarn’; João Penalva, ‘An Introduction to Mister’, in
Biennale of Sydney, Sydney 2002

‘João Penalva and Matts Liederstam in conversation’ in Rooseum Provisorium, Rooseum, Malmö 2002

Marjorie Allthorpe-Guyton, Isobel Johnstone, Susan F. Drades, Arts Council Collection, Acquisitions 1989 — 2002, Hayward Gallery Publishing, London 2002

Céline Melissent, ‘João Penalva’ in Dévoler, Exposition d’oevres contemporaines de la Collection du Frac Languedoc-Roussillon, Mücsarnok, Budapest 2002

Brigitte Huck, ‘Lacan, die Mathematik, die Knoten und der Maler Rouan’, in
’Diesseits und jeseits des Traums, Sigmund Freud-Museum, Wien 2001

Pontus Kyander, ‘Kärlek, sport och esperanto, och en hel del Wagner i
João Penalvas installation R.’, Artes nr.1/2000 Årg.28, Stockholm 2000

Mark Francis, ‘João Penalva’ in ‘Mark Francis and João Penalva Interview’,
in fig-1, Spafax Publishing in association with tate: the art magazine, London 2001; Walther Koenig Books, London 2002

Pedro Lapa, ‘A square, a Street’ in, More works about buildings and food,
Câmara Municipal de Oeiras, Oeiras 2001

James Putnam, ‘João Penalva’ in Art and Artifact,
Thames and Hudson, London 2001

Pedro Lapa, ‘R.’, in La Biennale di Venezia, vol. 2,
Electa, Milan 2001

João Penalva and Annie Fletcher, ‘Interview,’ in Berlin Biennale 2,
Oktagon Verlag, Köln 2001

Juliana Engberg, ‘João Penalva, 336 Rivers’, in Art & Industry 2000 Biennial,
Contemporary Visual Arts Festival, ed. Lorraine Marson,
Art & Industry, Christchurch 2000

Philip Campbell, Jonathan Jones, ed. Bergit Arends, ‘The eternal Artefact?’,
Sciart 2000, Sciart, London 2000

Lotta Hammer, Simon Morissey, Waiting,
Mjellby Konstgard, Mjellby 2000

Isabel Carlos, Nuno Faria, Lúcia Marques, ‘João Penalva’, in Initiare,
Instituto de Arte Contemporânea/Centro Cultural de Belém, Lisboa 2000

Juliana Engberg, ‘João Penalva’ in Signs of Life,
I Melbourne International Biennial, Melbourne 1999

Svenrobert Lundqvist, Henry Meyric-Hughes, From Where to Here, Art from London, Konsthallen Göteborg, Göteborg 1999

Various authors, Dora Garcia ed., João Penalva ‘He…’, in
Pocket, Galeria Juana de Aizpuru, Madrid 1999

Various authors, ed. Paulo Mendes, Paulo Seabra, Paulo Cunha e Silva,
Anatomias Comtemporâneas, Câmara Municipal de Oeiras, Oeiras 1997

Jérôme Sans, ‘João Penalva, Entr’acte, 20 years’, in La sphère de l’intime, Printemps de Cahors, Publications Actes Sud, Arles 1998

Yukiko Ito, Urban Mirage,
Hiroshima Art Document ’97, Hiroshima 1997

Michael Archer, ‘João Penalva’, in The day after tomorrow, Electa, Milano 1994

Alexandre Melo ed., Quando O Mundo Nos Cai em Cima,
Centro Cultural de Belém, Lisboa 1994

Enrique Juncosa, in Four painters from London,
Galería Colégio de Arquitectos, Malaga, 1991

Bernardo Pinto de Almeida, in Um olhar sobre a pintura portuguesa contemporânea, Casa de Serralves, Secretaria de Estado da Cultura, Porto 1988

Galeria DN, Reabertura da Galeria, Exposição Colectiva,
Galeria DN, Lisboa 1988

Bernardo Frey Pinto de Almeida, ‘Arte Portuguesa da última década’, in
VII Bienal Internacional de Arte de Pontevedra,
Diputación Provincial de Pontevedra, Pontevedra 1986

Nelson di Maggio, O Papel como Suporte,
Sociedade Nacional de Belas Artes, Lisboa 1982

Fernando Calhau, Artistas Portugueses Residentes no Estrangeiro,
Galeria Almada Negreiros, Direcção-Geral da Acção Cultural, Lisboa 1982

Chelsea School of Art, MA Exhibition,
Chelsea School of Art, London 1981

25 Anos, 44 Artistas,
Árvore, Cooperativa de Actividades Artísticas, C.R.L., Porto 1996

Roger A. Manning, New contemporaries 1980,
The New Contemporaries Association, London 1980

SELECTED REVIEWS IN PERIODICAL AND DAILY PUBLICATIONS

2008
Óscar Faria, ‘Tempo em directo’, Público, Ípsilon, 23.05.08, Lisboa
Alexandra Beleza Moreira, ‘A arte a partir do mecanismo de um relógio’,
Jornal de Notícias, 10.05.08, Porto

2007
Sebastian Gierke, ‘Kafka im Eis’,
Der Tagesspiel, 05.02.07, Berlin 2007

Katrin Bettina Müller, ‘Irgendwo in der Nähe ein Fluss’
Tip, 22.02.07, Nr.05/2007, Berlin 2007

Anka Botzoman, ‘The roar of lions’,
Exberliner, March 2007, Berlin 2007

Peter McCarthy, ‘Mead Gallery has one to tease the imagination’,
The Courier, 19.10.07, Lemington 2007

Peter Macarthy, ‘Penalva shows his dark side’,
Coventry Telegraph, 24.11.07, Coventry 2007

Robert Clark, ‘João Penalva, Coventry’,
The Guardian, 24.11.07, London 2007

2006
Zsófia Bán, ‘Mr. Ruskin elt&369;nt hajtincse, avagy meghívás egy bizonyítási eljárás
titokzatos történetébe’, Exindex, 23.01.06, Budapest 2006

Halász András, ‘João Penalva’,
Balkon, 2006/1, Budapest 2006

Bálint Szombathy, ‘Látható történetek’,
Új M&369;vészet, Január, Budapest 2006

István Hajdu, ‘A múlt el&337;tt’,
Magyar Marancs, Kultúra, 5.01.06, Budapest 2006

Jenny Lee, ‘’João Penalva, IMMA’,
Irish News, 27.05.06, Belfast 2006

Fiona MacDonald, ‘Around the world in 80 days’,
Metro, 31.05.06, London 2006

Denise Robinson, ‘João Penalva, Ludwig Museum Budapest’,
Camera Austria, 93/2006, Graz 2006

Mary Anne Kenny, ‘João Penalva at IMMA’,
Totally Dublin, June 2006, Dublin 2006

Robert Clark, ‘João Penalva, Dublin, Irish Museum of Modern Art’,
The Guardian, 10.06.06, London 2006

Susan Conley, ‘Gaze down the dizzying paths of memory’s minutiae’,
The Irish Independent, 14.06.06, Dublin 2006

Eimear McKeith, ‘The art of weaving word and image’,
Metro, 15.06.06, Dublin

Therese McKenna, ‘Candid Camera’,
The Sunday Tribune, 18.06.06, Dublin 2006

Aindan Dunne, ‘Artistic ambiguity and shaggy dog stories’,
The Irish Times, 23.06.06, Dublin 2006

Catherine Leen, ‘João Penalva’,
The Sunday Times, 09.07.06, London, 2006

2005
Júlia Váradi, ‘A "nyomolvasó" m&369;vész’,
Magyar Hírlap, 03.11.06, Budapest 2005

Luisa Etxenike, 'Sudar',
El País, 30.01.05, Madrid 2005

J. A. Lopes, 'La búsqueda de la superación',
Lápiz, Febrero, Madrid 2005

Rosa Olivares, ‘João Penalva, Museo Serralves’
Exit Express, Febrero 2005, Madrid 2005

Helena Osório, ‘Leia as legendas’,
Visão, 03.03.05, Lisboa 2005

Katalin Timár, ‘A történetmondó visszatér’
M&369;értó, 2005. Március, Budapest

Celso Martins, ‘Um Mar de histórias’,
Expresso, 18.02.05, Lisboa 2005

Óscar Faria, ‘A obra é também aquilo que eu digo sobre ela’,
Público, 26.02.05, Lisboa 2005

Helen A. Harrison, '’Sports Illustrated’, Islip Art Museum’,
The New York Times, 25.12.05, New York 2005

2004
Claudia Wahjudi, ‘Geist der Erzälung’,
Der Tagesspiel, 13.03.04, Berlin 2004

Birgit Sonna, ‘Wo Utopien sterben und Träume zerbersten’, München Kultur,
Süddeutsche Zeitung, 20.03.04, München 2004

Birgit Sonna, ‘Stimmungsbilder’,
Süddeutsche Zeitung, 25.10.04, München 2004

Britta Sachs, "João Penalva’,
Frankfurter Allgemeine Zeitung, 11.09.04, Frankfurt 2004

Ramón Esparza, ‘Con el sudor de tu frente’,
El Mundo (Pais Vasco), 18.11.04, Donostia/San Sebastian 2004

José Javier Fernández, ‘Transformación y superación’,
El Diario Vasco, 19.11.04 Donostia/San Sebastian

Brita Sachs, ‘München feiert seine Open Art’,
Frankfurter Allgemeine Zeitung, 11.10.04, Frankfurt 2004

Beatriz Herráez, 'Esfuerzo',
Exit Express no. 8, Deciembre, Madrid 2004

Manuel Vásquez Montalbán, ‘One hundred Years of Sport’ in
EXIT, Numero 15, Agosto, Olivares y Asociados, S.L., Madrid 2004

2003
Margarida Bon de Sousa, ‘João Penalva cimenta internacionalização’,
Diário de Notícias, 01.03.03, Lisboa 2003

Ana Ruivo, ‘Floresta de enganos’,
Expresso, 15.03.03, Lisboa 2003

Joana Neves, ‘João Penalva’,
Pangloss, No.2, Abril, Lisboa 2003

Birgit Grimm, ‘Verlust und Gewinn im Untergrund’,
Sächsische Zeitung, 12/13.04.03, Dresden 2003

Isabel Carlos, ‘João Penalva’,
Flash Art, May/June, Milano 2003

Johannes Wendland, ‘Nach der Flut is vor der Flut’,
Frankfurter Rundschau, 14.05.03, Frankfurt/Main 2003

Lisa Werner-Art, ‘Zirpen aus dem Regal, Fisch in der Tonne’,
Dresdner Neueste Nachrichten, 12.05.03, Dresdner 2003

Grit Dora, ‘Albertinum Underground — Podex versus Video’,
Dresdner Kulturmagazin, Juni, Dresdner 2003

Sarah Milroy, ‘A mighty brain stretch’,
The Globe & Mail, 25.10.03, Toronto 2003

Peter Goddard, ‘Fall art harvest big on ideas’,
Toronto Star, 02.10.03, Toronto 2003

Lena Séraphin, ‘Sinnedas pard på Kiasma’,
Hufvudstadtsbladet, 06.12,2003, Helsinki 2003

Mark Gomes, ‘The Labyrinthine Effect’,
Broadsheet, vol. 32, no. 3, Melbourne 2003

Charles Green, ‘The Labyrinthine Effect’
Artforum, December, New York 2003

2002
Michael Hauffen, ‘’Wallenda’ — Barbara Gross Galerie’,
Kunstforum International, Januar-Merz, Köln 2002

Conny C-A Malmqvist, ‘Lyckad lek med perspektiven’,
Kvällposten, 26.01.02, Malmö 2002

Pontus Kyander, ‘När bilden spränger ramarna’,
Sydsvenska Dagbladet, 26.01.02, Malmö 2002

Laurence Hazout-Dreyfus João Penalva, "Le Mistère de la soupe Jaune’,
Beaux-Arts, Numéro 213, Féverier 2002, Paris 2002

Britte Montigny, ‘Rekonstruktioner på Rooseum’,
Skånka Dagblatet, 01.03.02, Malmö 2002

Conny Blom, ‘Konstnärskap som gör starkt intryck’,
Nordvästra Skånes Tidningar, 01.03.02, Ängelholm 2002

Mariana Schroeder, ‘João Penalva, Barbara Gross, München’
ARTNews, International Reviews, March, New York

Ulrika Stahre, ‘Det handlar om att ha varit där’
Afton Balatet, 14.03.02, Stockholm 2002

Mikael Olofsson, ‘Bilder som tar tid att läsa’
Göteborgs-Posten, 21.03.02, Göteborg 2002

Dan Jönsson, ‘Dubbleplattityder och fantombilder’,
Dagens Nyheter, 26.03.02, Stockholm 2002

Fred Andersson, ‘Instabil relation till världen’
Svenka Dagblatet, 30.03.02, Stockholm 2002

Susanne Neuburger, ‘Diesseits und jenseits des Traums’
Springerin, Mai, Wien 2002

2001
Luis Pinto Castro, ‘Porta 33 Apresenta: o Inovador Penalva’,
Notícias da Madeira, 02.02.01, Funchal 2001

Luis Rocha, ‘A arte também conta histórias’,
Diário de Notícias-Madeira, 17.02.01, Funchal 2001

Luis Rocha, ‘Porta 33 conta vender vídeo de João Penalva’,
Diário de Notícias-Madeira, 20.02.01, Funchal 2001

Luis Rocha, ‘João Penalva expõe na Porta 33’,
Diário de Notícias-Madeira, 10.03.01, Funchal 2001

Lúcia Marques, ‘A arte do narrador’,
Expresso (Revista, Cartaz), 24.03.01, Lisboa 2001

Sebastian Preuss, ‘Die Kunst der Massage’,
Berliner Zeitung, 20.04.01, Berlin 2001

Christof Siemes, ‘Kunst oder Bier, alles umsonst’.
Die Zeit, 26.04.01, Hamburg 2001

Alexandra Lucas Coelho e João Pinharanda, ‘Bienal’,
Público, 10.06.01, Lisboa 2001

Michela Manente, ‘The incentive of competition’,
Venews, No. 49, June, Venezia 2001

Leonor Nunes, ‘Penalva em Veneza, Um R provocador’,
Artes e Letras, 13.06.01, Lisboa 2001

Alexandre Pomar,
Expresso, 19.06.01, Lisboa 2001

Particia Müller Gomes, ‘Não procuro, encontro…’,
Elle, Junho, Lisboa 2001

Alexandre Pomar, ‘Um palácio em Veneza’,
Expresso, 16.06.01, Lisboa 2001

João Pinharanda, ‘Bienal de Veneza encena uma humanidade angustiada’,
Público, 01.06.01, Lisboa 2001

Sebastien Preuss, ‘Nichts ist, wie es scheint’,
Berliner Zeitung, 02.06.01, Berlin 2001

Christof Siemes, ‘Art or beer’,
Die Zeit, 18.06.01, Berlin, 2001

Fanelli and Jonathan Napack, ‘The national pavilions’,
The Art Newspaper, Vol. XII, No. 115, June, London 2001

Elke Buhr, ‘So schön deutsch’
Frankfurter Rundschau, 11.06.01, Frankfurt 2001

Lidia Panzeri, ‘Venise, le charme désuet’,
Le Journal des Arts, 08.06.01, Paris 2001

Christina Wendenburg, ‘Wie aus einer anderen Welt’,
Berliner Morgenpost, 04.07.01, Berlin 2001

Filipa Vicente, ‘Actualidade/Bienal de Veneza’,
Arte Ibérica, Julho, Lisboa

Andrew Wilson, ‘The Zones of Venice’
Art Monthly, No. 248, July, London 2001

Roberta Bosco, ‘Selección de pabellones nacionales’,
El Periodico del Arte, Julio, Madrid 2001

Marjorie Allthorpe-Guyton, ‘João Penalva, Kitsune’,
ARCO Noticias, no. 21, Julio, Madrid 2001

Filipa Vicente, ‘A(s) Veneza(s) da Bienal’,
Arte Ibérica, Verão, Lisboa 2001

Carolyn Chrystov-Bakargiev, ‘And the winner is…’,
tema celeste, Summer, Milano 2001

Chistina Wentenburg, ‘Venezianische Wertsteigerung’,
Die Welt, 25.08.01, München 2001

Elisabeth Mahoney, ‘Total Object Complete with Missing Parts’,
The Guardian, 13.09.01, London 2001

Elisabeth Mahoney, ‘Total Object Complete with Missing Parts’,
Art Monthly, No. 250, October, London 2001

Susan Thompson, ‘Total Object Complete with Missing Parts’,
The List, 04.10.01, Glasgow, 2001

Rachel Withers, ‘La Biennale di Venezia, 49th International Art Exhibition’,
Nu, Vol.III, No.5/01, October, Stockholm 2001

Dan Cameron, ‘Dan Cameron Ponders on the 49th Venice Biennale’,
Artforum, 07.10.2001, New York

Veronika Schöne, ‘Moderner Sisyphos.João Penalvas
"Wallenda" in der Galerie Barbara Gross’,
Süddeutsche Zeitung, 22-23.12.01, München 2001

Roberta De Righi, ‘Akustischer Drahtseilakt.
Erste Einzelausstellung der Biennalen — Entdeckung João Penalvas in München’,
Kultur, Abendzeitung, 13.12.01, München 2001

Freia Olive, ‘Der Sturz des Artisten Münchner Galeriespaziergang’,
Münchner Merkur, Kultur, 21.12.01, München 2001

2000
Sarah Kent, ‘False perspectives’,
Time Out, 12.01.00, London 2000

Raimundas Malasauskas, ‘Mister’,
Siaure Atenai, 19.02.00, Vilnius 2000

Deborah Schultz, ‘The Office of misplaced Events (Temporary Annexe)’,
Art Monthly, February, London 2000

Martin Herbert, ‘The Office of misplaced Events’,
Flash Art, March/April, Milano 2000

E. Schlocker, ‘Den Himmel auf den Boden geholt’,
Tiroler Tageszeitung, 27.05.00, Innsbruck 2000

Claudia Thurner, ‘Was ist wirklich, was imaginär?’,
Neue Kronen Zeitung, 27.05.00, Wien 2000

J. Strauhl, ‘Kunst im Spannungsfeld von Fiktion und Wirklichkeit’,
Kurier Tirol, 27.05.00, Wien 2000

Mark Currah, ‘Fossick’, Sali Gia,
Time Out, 14.06.00, London 2000

Camilla Pia, ‘336 PEK’,
Go Magazine, 25.05.00, Glasgow 2000

E. Mahoney, ‘Streams and the conscious’,
The Scotsman, 25.05.00, Glasgow 2000

E. Mahoney, ‘336 PEK (336 Rivers)’,
The Scotsman, 27.05.00, Glasgow 2000

Jonathan Jones, ‘336 Rivers’,
The Guardian, 27.05.00, Glasgow 2000

Jack Mottram, ‘336 PEK (336 Rivers)’,
The List, 02.07.00, Glasgow 2000

Cristina Margato, ‘As amnésias dos vários "eus"’
Diário de Notícias, 14.10.00, Lisboa 2000

L.S. de Oliveira, ‘Terminare’,
Público, 20.10.00, Lisboa 2000

Luís Rocha, "Porta 33 leva João Penalva à ARCO 2001 em Madrid",
Diário de Notícias da Madeira, 24.10.00, Funchal 2000

‘Relação de arte e arquitectura questiona espaço social’,
Correio da Manhã, 17.11.00, Lisboa 2000

Vanessa Rato, ‘Novas formas de habitar’,
Público, 20.11.00, Lisboa 2000

Alexandre Pomar, ‘Casa, comida e roupa lavada’,
Expresso, 26.11.00, Lisboa 2000

1999
Ruth Rosengarten, ‘Personagem e Intérprete’
City, Dezembro, Lisboa 1999

C. Margato, ‘João Penalva — Entrevista’,
Diário de Notícias, 21.01.99, Lisboa 1999

Óscar Faria, ‘Assobiar na corda bamba’,
Público, 22.01.99, Lisboa 1999

Cláudia Silva Santos, ‘Artes Novas no CCB’,
A Capital, 22 January, Lisboa 1999

I. Queirós, ‘As novas exposições no CCB’,
Diário Económico, 27.01.99, Lisboa 1999

Celso Martins, ‘Verdade e verosimilhança’,
Expresso, 30.01.99, Lisboa 1999

José Luís Porfírio, ‘Depois de…?’,
Expresso, 30.01.99, Lisboa 1999

Ruth Rosengarten, ‘Da pintura para a ficção’,
Arte Ibérica, Fevereiro, Lisboa 1999

David Santos, ‘Ver e Narrar’,
Independente, 05.02.99, Lisboa 1999

Ruth Rosengarten, ‘Laying cultural foundations’,
Tate Magazine, Spring, London 1999

Rocha de Sousa, ‘A ordem secreta das coisas’,
Jornal de Letras, 10.03.99, Lisboa 1999

Marie-Pierre Donadio, ‘Histoires d’eau au Frac’,
L’Hérault du Jour, 07.05.99, Montpellier 1999

Adrian Searle, ‘The Big Picture — Forth Wall’,
The Guardian, 22.05.99, London 1999

Richard Cork, ‘The show goes on... the wall’,
The Times, 26.05.99, London 1999

Lise Ott, ‘João Penalva filme le vertige du Baikal’,
Midi Libre, 11.05.99, Marseille 1999

C. Desbordes, ‘Galerie version ciné pour une vidéo’,
Reg’Art no. 3, Juin, Montpellier 1999

Mats Stjerstedt, ‘João Penalva, Frac Languedoc-Roussillon, Montpelier’,
Flash Art, November/December, Milano 1999

Helen Smithson, ‘First for twaddle’,
H&H, 03.12.99, London 1999

Simon Grant, ‘Legends of Lake Baikal’,
The Guardian, ‘The Guide’, 11.12.99, London 1999

Sue Hubbard, ‘João Penalva — Camden Arts Centre’,
The Independent on Sunday, 19.12.99, London 1999

Rolf Haglund, ‘Censurerad Göteborgskonst’,
Borås Tidning, 04.12.99, Göteborg 1999

1998
Delfim Sardo, ‘João Penalva’,
Arte Ibérica, Janeiro, Lisboa 1998

N.S., ‘‘Enough’ at The Tannery Gallery’,
Southwark News, 19.02.98, London 1998

Dan Cameron, ‘Fundación ARCO’,
ARCO Notícias, No.11, Marzo, Madrid 1998

Catsou Roberts, London — ‘Enough’,
Art Press, Juin, Paris 1998

Kiogi Maeda, ‘Printemps de Cahors’,
Yomiuri Shimbun, 17.08.98, Tokyo 1998

Halldor Bjørn Runolfsson, ‘Both And’,
Morgunbladid, 01.11.98, Reykjavik 1998

1997
João Pinharanda, ‘A Arte e o seu Duplo’,
Público, 19.05.97, Lisboa 1997

Celso Martins, ‘João Penalva’,
Expresso, 19.05.97, Lisboa 1997

Ruth Rosengarten, ‘Aos pares’,
Visão, 19.06.97, Lisboa 1997

Martin Coomer, ‘Summer Collection, South London Gallery’,
Time Out, July, London 1997

Athico Ilye, ‘João Penalva’,
Esquire Magazine, December, Tokyo 1997

Óscar Faria, ‘João Penalva: Memória’,
Público, 05.11.97, Lisboa 1997

David Santos, ‘João Penalva’,
O Independente, 31.12.97, Lisboa 1997

1996
Ruth Rosengarten, ‘João Penalva — Faussone’,
Visão, 05.05.96, Lisboa 1996

Alexandre Melo, ‘Uma Jornada Nómada’,
Expresso, 10.05.96, Lisboa 1996

L. Salles Freaza, ‘O grito da arte suicida’,
Expresso, 16.11.96, Lisboa 1996

L. S. Oliveira, ‘A desmaterialização da obra de arte’,
Público, 28.11.96, Lisboa 1996

Camila Viegas, ‘XXIII Bienal Internacional de São Paulo’,
O Estado de S. Paulo, 29.11.96, São Paulo 1996

Mark Gisbourne, ‘João Penalva — Dancing in the dark’,
Siksi, XI no. 4, Winter, Helsinki 1996

1995
Alexandre Pomar, ‘João Penalva’,
Expresso, 08.03.95, Lisboa 1995

Sacha Craddock, ‘Around the galleries’,
The Times, 14.03.95, London 1995

Isabel Carlos, ‘Os olhos de ver’,
Expresso, 25.03.95, Lisboa 1995

Óscar Faria, ‘Fábulas de Penalva’,
Público, 27.03.95, Lisboa 1995

1994
Mark Currah, ‘Every now and then’,
Time Out, 04.05.94, London 1994

Sacha Craddock, ‘Around the galleries’,
The Times, 17.05.94, London 1994

William Harvey, ‘Every now and then’,
Untitled, Summer, London 1994

Mark Currah, ‘Every now and then’,
frieze, Summer, London 1994

Gareth Jones, ‘Every now and then’,
Flash Art, October, Milano 1994

Ruth Rosengarten, ‘E depois de amanhã?’,
Visão, 07.10.94, Lisboa 1994

Luísa S. Oliveira, ‘Efeitos da pintura’,
Público, 07.10.94, Lisboa 1994

Cerveira Pinto, ‘Anteontem’,
O Independente, 07.10.94, Lisboa 1994

Leonor Nazaré, ‘Depois de amanhã’,
Expresso, 14.10.94, Lisboa 1994

Rocha de Sousa, ‘Nem amanhã nem ontem: hoje’,
Jornal de Letras, 26.10.94, Lisboa 1994

Carlos Vidal, ‘Nulidades’,
A Capital, 27.10.94, Lisboa 1994

1993
L. S. Oliveira, ‘João Penalva — 7 Pinturas’,
Público, 03.11.93, Lisboa 1993

Óscar Faria, ‘Instalações coincidentes’,
Público, 05.11.93, Lisboa 1993

Alexandre Pomar, ‘João Penalva’,
Expresso, 13.11.93, Lisboa 1993

Alexandre Melo, ‘Estados alterados’,
Expresso, 13.11.93, Lisboa 1993

Ruth Rosengarten, ‘Porto com sentido’,
Visão, 25.11.93, Lisboa 1993

Ruth Rosengarten, ‘Sete Pinturas’,
Visão, 02.12.93, Lisboa 1993

1992
David Lillington, ‘João Penalva’,
Time Out, 29.02.92, London 1992

John McEwen, ‘João Penalva’
Sunday Telegraph, 02.02.92, London 1992

Enrique Juncosa, ‘João Penalva — Londres’,
Lapiz, Marzo, numero 85, Madrid 1992

Ruth Barter, ‘in Review, João Penalva’,
Arts Magazine, April, New York 1992

Wiliam Jeffett, ‘João Penalva — Great-Britain’,
Artefactum, April/May, Antwerp 1992

Michael Archer, ‘João Penalva — London’,
Artforum, May, New York 1992

Óscar Faria, ‘Os Borrões de Penalva’,
Público, 21.11.92, Lisboa 1992

1991
Luísa Soares de Oliveira ‘João Penalva’,
Público, 04.0.91, Lisboa 1991

Javier Cuenca, ‘Cuatro pintores de Londres’,
El Sol, 08.01.91, Málaga 1991

João Pinharanda, ‘Portugueses em Londres’,
Público, 25.08.91, Lisboa 1991

1990
Bernardo Pinto de Almeida, ‘João Penalva’,
Lapiz, numero 69, Madrid 1990

E. Paz Barroso, ‘Um certo cosmopolitismo’,
Jornal de Notícias, 01.05.90, Porto 1990

João Pinharanda, ‘João Penalva, Atlântica’,
Público, 04.05.90, Lisboa 1990

Isabel Carlos, ‘João Penalva, Atlântica’,
Expresso, 05.05.90, 1990

Carlos França, ‘Quatro considerações sobre a pintura de João Penalva’,
O Primeiro de Janeiro, 13.04.90, Porto 1990

P.R.M., ‘Novas de Sarmento e Penalva’,
Público, 04.12.90, Lisboa 1990

José Luís Porfírio, ‘Do objecto à pintura’,
Expresso, 15.12.90, Lisboa 1990

Leonor Nazaré, ‘Percurso e Resultado’,
Expresso, 22.12.90, Lisboa 1990

Carlos Vidal, ‘Efeitos dóceis’,
O Independente, 28.12.90, Lisboa 1990

Isabel Carlos, ‘João Penalva’,
Expresso, 28.12.90, Lisboa 1990

1989
Mary Rose Beaumont, ‘João Penalva’
Arts Review, 14.06.89, London 1989

Robin Dutt, ‘Exhibitions — João Penalva’,
The Independent, 27.06.89, London 1989

Tim Hilton, ‘Critics’ choice’,
The Guardian, 05.06.89, London 1989

1987
Bernardo Pinto de Almeida, ‘ARCO ’87’ — Quatro artistas portugueses’,
Jornal de Letras, 23.02.87, Lisboa 1987

1983
Bernardo Pinto de Almeida, ‘João Penalva’,
Jornal de Letras, 27.04.83, Lisboa 1983

1982
N. Di Maggio, ‘Da fragilidade do papel à força da invenção’,
O Jornal, 23.04.82, Lisboa 1982

DOCUMENTARY FILMS ON JOÃO PENALVA

Character and Player, 55 min
Directed by Luís Alves de Matos
Portuguese Television RTP 2, 2002

Bildjournalen, 12 min
Directed by Pontus Kyander
Swedish Television, 2002

João Penalva, 1993-1998, 35 min
Estúdios Valentim de Carvalho for CCB
Lisbon, 1998

Bildjournalen, 6 min
Directed by Pontus Kyander,
Swedish Television, 1997